Earlier in the process of putting together Kings of Broken Things as a book, there were a number of sketches from artist Christina Chung that we went through before the team zeroed in on the concept that would become the image that’s on the cover. Personally, I really fell in love with the idea of the riot igniting a fuse that runs under the institutions of the city, in particular the level of detail that went into depicting actual buildings from that era of Omaha. The kind of attention makes the cover so very special to me, and, along with the image being mirrored on the actual hardcover itself, takes the packaging to a new level. All the great work put in by Christina, my editor Vivian Lee, and title sequence designers Faceout Studio is very much appreciated. Still, it’s interesting to think about the other early concepts we didn’t pick and what it would have looked like if one of them had evolved into the final cover.
Talking over email this week, Christina Chung sent me a gif of another of the sketches that she developed into a full-fledged piece of art. It’s so cool I wanted to share it with you all as well!
Of the image, Christina said, “A personal piece drawing parallels between the events of the summer of 1919 in Omaha, Nebraska to the problems we face as a society in 2017.” Check out a sharper version of “Omaha, 1919” on more of her work at www.christina-chung.com/2017/2/7/2017/2/7/omaha-1919, and, in the meantime, wonder what might have been.
Have a great weekend! I’ll be back with much more in this space soon, including some photos from my book launch party and my first Kings of Broken Things reading at the Bookworm on Sunday!