Last year I had a story published in Oakwood magazine. Apparently I failed to mention that here, as I was waiting on a link to the issue, so here’s my atonement. Read it here.
For fans of my first novel, Kings of Broken Things, some of these characters will look familiar. Notably, Jake Strauss. This is part of the story of why Jake had to leave his farm home Jackson County and ended up in Tom Dennison’s Omaha. The story printed in Oakwood is excerpted from a novella that tells that story, along with the story of Jake’s mother Ella. This excerpt tells part of Ella’s story.
Submitted for your indulgence: “What is Foolish, What is Weak.”
She worried that she’d asked too much of God over the years. That there was a limit to love, to clemency, to indulgence, in God as there was in man. All she wanted was to have this one and she could be done.
Ever since she was a girl she’d planned to name a daughter Emma. A name similar to her own, with double-ems instead of double-ells. And how clever that em followed ell in the alphabet, just as Emma would come after Ella. Even after her first daughter was lost, she didn’t budge from the idea. Her first girl was named Emma Helena (Ella’s given name was Helena) and this one was to be Emma Marie. She would have this one. It would be a girl. Then she would be done with the business of bearing and naming and burying kids.
Thanks so much to editor Daniel Bourne for all his work with the story, and to Erin McGraw, who selected “Hyphenates” for an AWP Intro Journals Project award while I was a student in the Creighton University MFA program. The story was nominated by CUmfa, so thanks to Dave Mullins for that.
Long-time friends of the blog will surely recognize the title of the story, as this was the original title of my World War I novel, what has since become Kings of Broken Things. In its earlier versions the novel focused entirely on the character of Jake Strauss (fka Jacob Strauss fka Jakob Strauss fka Jacob Bressler) and his introduction to the underworld elements of Omaha after being forced to flee his rural home of Jackson County. This short story is basically the opening scenes from that iteration of the novel.
More generally, the story is set in a fictional Jackson County, Nebraska, during World War I, and deals with a German immigrant and his two sons’ struggle to hold together their family, church, and farm amid threats both local and global.
Here’s an excerpt:
With the war in Europe raging late that summer, Jake was awakened by his father in the middle of the night more than once, the Pfarrer compelled to voice a worry that the German army would claim Fred and Jake, somehow, conscript them into service over on the Eastern Front, because that’s the side of Germany the Pfarrer was born to, in West Prussia, south of Danzig. There were always rumors of Kaiser Wilhelm’s reach, but the Pfarrer’s mania was peculiar and unfounded, as it always boiled over in the middle of the night. With all that had happened, he felt something was lacking in their connection to the Lord. “There’s a debt there,” was how the Pfarrer put it.
Jake and Fred agreed. But what was there to do about it?
That August, Jake found his father sprawled in the creek on the other side of their claim, water damming up and washing over his naked body. His clothes lay out on the grass. The jacket was on top, a shirt showed under the lapels. His pants were below with a shoe at the bottom of each leg, laces tied. It looked like the Pfarrer had been sucked out of his clothes, the way they’d been arranged. Two bottles of wine nearby, a half empty jar of horse cleaner. Jake didn’t know if his father had poisoned himself or not, if he’d soon die. Jake had heard of people doing that—eyes lost pigment after drinking horse cleaner, hair fell from heads. It hurt horribly. His father was naked in the cold creek, rolling to be facedown. He was pale, his breathing slow as Jake yanked him from the water and demanded to know what he’d done. He woke looking into Jake’s eyes. “I couldn’t do it,” he said. “The horse cleaner?” Jake asked. “No. I didn’t.”
Jake lifted the Pfarrer to his shoulder and carried him up the hill. His father was large, but Jake showed no struggle. He had urgency on his side and his muscles responded to the charge. The Pfarrer glanced to Jake, almost shy in his drunk, tepid and put-off as he was set to the porch, surprised again at how his younger boy had grown. Jake felt it well up in his gut, in his muscled shoulders and forearms, the anger and guilt, the tension of struggle. What did his father want to accuse him of?
Since it’s been a while since I offered a general state of the blog type post, here’s the latest in the world of the uninitiated.
-A pub date has been set for Bad Faith! My short story collection will drop on July 12, 2016. And while you’re hurriedly marking your calendars, I’ve also set up a pre-release party at Pageturners Lounge for Thursday, June 30, which will the first opportunity to purchase the book, have it signed, and toast with the author.
Between working through final edits on the book, the first blurbs coming in, and setting up events for later this year, it’s been an exciting, sometimes nerve-wracking experience. There will even be a cover before long. It’s happening!
-A few of my short stories will be coming out in the next couple months. “Violate the Leaves” in the spring issue of Boulevard, in March; “The Hyphenates of Jackson County” in Artful Dodge, by the end of February; and “On a Train from the Place Called Valentine” in New Stories form the Midwest.
-You may have noticed a few updates around the site. The last year I’ve slowly been transitioning this space from its blog roots to more of a proper web site befitting a published author with multiple books to his name. Or something. The process should be finished shortly, with a static front page and all that. I’ll still be blogging here every once in a while, maybe even a little more frequently. The whole “travel” part of the blog kind of took a backseat the last couple years, as I wasn’t traveling much, saving up money for potential book tours and bigger trips. Posting the same photos of me at Royals games over and over didn’t quite have the same panache as the posts from my summer touring Europe.
-One last thing, I want to include a note about the success we’ve seen with the literary pub quiz I’ve been putting on at Pageturners with buddies Ryan Borchers and Drew Justice. The turnout has been great, and it seems like the enthusiasm grows each month. The next edition is in a week, on February 3 with guest host Wendy Townley of the 1877 Society. We’re getting some great guest stars lined up for the spring/summer season, and I can’t wait to share the lineup. But I will wait, and hope to have that posted here soon. The series has been a lot of fun and I’m psyched to keep this going through the rest of the year. If you’re around Omaha the first Wednesday of the month, stop on in and talk some literature with a copacetic group of bookish folks.
Creighton MFA Theodore Wheeler’s KINGS OF BROKEN THINGS, that follows two young immigrants to and through the Omaha Race Riot of 1919, shedding light on a tragic period in American history, to Vivian Lee at Little A, for publication in spring 2017, by Stephanie Delman at Sanford J. Greenburger Associates.
I couldn’t be happier that Kings of Broken Things has found a home with Little A, and I’m thrilled to be working with Vivian Lee. After spending eight years researching the history and creating characters who could not only live within the existing history, but also bring out the events in a compelling way, I’m finding great comfort that Kings has found a home with a publisher who can both push the work further artistically and find a wider audience to expand its reach. (Check out The Hundred-Year Flood by Matthew Salesses for a standout example of a book Vivian edited.) If you’ve followed this blog over the years, you’re with me. From the first drafts of The Hyphenates of Jackson County to the middle stages of The Uninitiated and the brief term of Red Summer and now Kings of Broken Things, a lot of well-meaning words met their ultimate demise to make this possible.
Friday happened to be my birthday. Receiving an offer to publish my novel was quite the way to celebrate! (Publishing this post from the press file room at the DNC debate is kind of cool too.)
The success I’ve had the last couple years in getting this story about the Omaha Race Riot and these old immigrant communities has been very encouraging. The three months I spent at Akademie Schloss Solitude in 2014 were instrumental to refining Kings of Broken Things in a way I couldn’t have done otherwise. My experiencing Esprit Solitude really did wonders for this novel, and for my next novel, which was largely written while I was in Germany. Beyond that, Akademie Schloss Solitude helped create a wonderful platform to gain exposure for this historical project of mine, this redemptive art, as we called it, by publishing an excerpt of the novel in chapbook form and supporting a multi-media performance (Omaha Uninitiated) that focused on historical and cultural documents as objects of creation. Thanks to Director Jean-Baptiste Joly and literature juror Maxi Obexer for bringing me to Stuttgart and facilitating my work in such a generous way.
This is about to get sappy, but there are so many people to thank for their help reading, critiquing, and talking about the manuscript, and their sticking with me through the grueling process of writing a novel. Obviously this is far from over. But I should take this opportunity to thank my wife Nicole. She puts up with a lot, being married to a writer. I don’t know what I had to endure in a previous life to deserve her generous and enthusiastic love, but I’ll take it. My mother-in-law Karen West was instrumental in my writing process, tending to our girls during the day when they were little and understanding that time is something very precious to a writer. My own mom too, Marta, for being there and helping out whenever help is needed, and for teaching me to read and write, and for imparting the belief in storytelling as something sacred. My grandmother, Cleo (Blankenfeld) Croson, for all the work she’s done passing on a rich family history, and for her openness and honesty when discussing the finer, sometimes tawdry, elements of our history, a rare quality. My agent Stephanie Delman for championing the book and her tireless work in finding a great home with Vivian Lee and Little A. Also, “Country Club” Bill Sedlak, Amber Haschenburger, Ryan Borchers, Drew Justice, Sam Slaughter, Gregory Henry, Nabina Das, Mary Helen Stefaniak, Brent Spencer, Susan Aizenberg, Dave Mullins, Jonis Agee, Kwakiutl Dreher, Bob Bergstrom, Shannon Youngman, Jenn Ladino, Dave Green, Devin Murphy, Doug Rice, Darren Keen, Timothy Schaffert, Nicole Steen, Travis Thieszen, Miles Frieden, Arlo Haskell, Mary Morris, Richard Burgin, Lee Martin, Robert Stone, Kimmel Harding Nelson Center for the Arts, Key West Literary Seminar. I’m sure I’m forgetting to include some vital people in this cloud of gratitude, but this is just the pre-acknowledgement acknowledgments.
So I’ll stop with this: It feels pretty great to be able to remove the aspiring part from aspiring-novelist. I can’t wait to bring this book to you in Spring 2017!
Since we’re on the backside of summer and the days again are speeding up, a quick update on my forthcoming publications.
–The Southern Reviewwill publish “The Missing” in their autumn issue. I recently went through some edits with editor extraordinaire Emily Nemens and am really excited about how the story came out on the other side. Not that I wasn’t super excited about this before, but to have a journal editor spend two weeks working over every detail with me is pretty special. I appreciate all the hard work and can’t wait to share this one. Be sure to subscribe now to get the issue featuring my story delivered to your doorstep later on this year.
–Artful Dodge will publish “The Hyphenates of Jackson County” in their autumn issue. This story won an AWP Intro Journals Project award earlier this year, a series that honors the best work coming out of MFA and other writing programs each year. Erin McGraw selected the story as a winner. I wrote a longish post here in April when the announcement was made, noting in particular how this piece was the opening chapter of a former iteration of my novel-in-progress, and expressed my gratitude and relief that this story brought home some hardware. I’ve still been playing around with this material now and again (the Strauss family in Jackson County, 1910-1917) and can easily see a novel coming out of what I have started and outlined. (Not that a novel ever comes easy.) Maybe if the first novel is published and does well The Hyphenates of Jackson County could be a followup book. Something to dream on anyway. Anyway, be sure to subscribe to Artful Dodge now and get in on the ground floor of this story.
-As announced last week, Boulevard will be publishing my story “Violate the Leaves” in their spring 2016 issue. I won’t repeat myself too much. If you’re interested in subscribing to Boulevard (and, yes, go for the trifecta) you can do so here.
Other than that, I’d just like to remind that my chapbook On the River, Down Where They Found Willy Brown is still available in Kindle and bound form from Amazon, and from my publisher Edition Solitude (if you get giddy about receiving mail from overseas, this option is for you!), and from the following fine booksellers. If you happen to be in Omaha, Lincoln, Des Moines, Chicago, Fruita, Seattle, Vancouver, Montreal, or Paris, please stop in at one of the stores that I’ve linked here and pick up a copy. They’re wonderful venues, so be sure to check them out.
Hanging out with my chapbook at Quimby’s, an essential stop for fans of counterculture books in Chicago’s Wicker Park.
Keep an eye on the Books page here for an updated list of where to find my work. I recently had to do a second printing of the chapbook to replenish my stock and have been thrilled with the response. I wasn’t really sure what to expect from having a chapbook published, but getting to do three big events (with at least one more coming this fall) and to find a high level of interest in the subject and my treatment of it, this has been a lot of fun. I’m really excited to get out next summer and promote my book of short stories (Bad Faith, Queen’s Ferry Press, July 2016) after learning a lot about presenting myself and my work to audiences both live and in cyberspace.
The string of good news continues, as I learned late last week that my story “The Hyphenates of Jackson County” has won an Intro Journals Project award from AWP and will be published in a future edition of Artful Dodge!
Check out the announcement here, with the results for the three winners in fiction about halfway down the page. (Fyi, from the page: “The Intro Journals Project is a literary competition for the discovery and publication of the best new works by students currently enrolled in AWP member programs.”) (And if you don’t know what AWP is, check here.)
Thanks so much to Creighton University for nominating “The Hyphenates of Jackson County” and judge Erin McGraw for selecting it.
I’ve mentioned a few times how good it feels to have some of my Germans in Nebraska during World War I material published–as it has been in Boulevard, in The Four Quarters Magazine, and most recently in my chapbook On the River, DownWhere They Found Willy Brown. Seven years into that project and with no publication in sight for the novel, things like this help keep me from feeling too much in the woods with the project.
So, of course, I’m very thankful to have “Hyphenates” recognized by such a prestigious award series.
Long-time friends of the blog will surely recognize the title of the story, as this was the original title of my World War I novel, what has since become The Uninitiated. In its earlier versions the novel focused entirely on the character of Jake Strauss (fka Jacob Strauss fka Jakob Strauss fka Jacob Bressler) and his introduction to the underworld elements of Omaha after being forced to flee his rural home of Jackson County. This short story is basically the opening scenes from that iteration of the novel.
More generally, the story is set in the fiction Jackson County, Nebraska, during World War I, and deals with a German immigrant and his two sons’ struggle to hold together their family, church, and farm amid threats both local and global.
More on all this later, particularly as the publication details are worked out with Artful Dodge. For now, I’ll let good feelings suffice and wish congrats to the other winners.
That, and here’s an excerpt to tide you over:
With the war in Europe raging late that summer, Jake was awakened by his father in the middle of the night more than once, the Pfarrer compelled to voice a worry that the German army would claim Fred and Jake, somehow, conscript them into service over on the Eastern Front, because that’s the side of Germany the Pfarrer was born to, in West Prussia, south of Danzig. There were always rumors of Kaiser Wilhelm’s reach, but the Pfarrer’s mania was peculiar and unfounded, as it always boiled over in the middle of the night. With all that had happened, he felt something was lacking in their connection to the Lord. “There’s a debt there,” was how the Pfarrer put it.
Jake and Fred agreed. But what was there to do about it?
That August, Jake found his father sprawled in the creek on the other side of their claim, water damming up and washing over his naked body. His clothes lay out on the grass. The jacket was on top, a shirt showed under the lapels. His pants were below with a shoe at the bottom of each leg, laces tied. It looked like the Pfarrer had been sucked out of his clothes, the way they’d been arranged. Two bottles of wine nearby, a half empty jar of horse cleaner. Jake didn’t know if his father had poisoned himself or not, if he’d soon die. Jake had heard of people doing that—eyes lost pigment after drinking horse cleaner, hair fell from heads. It hurt horribly. His father was naked in the cold creek, rolling to be facedown. He was pale, his breathing slow as Jake yanked him from the water and demanded to know what he’d done. He woke looking into Jake’s eyes. “I couldn’t do it,” he said. “The horse cleaner?” Jake asked. “No. I didn’t.”
Jake lifted the Pfarrer to his shoulder and carried him up the hill. His father was large, but Jake showed no struggle. He had urgency on his side and his muscles responded to the charge. The Pfarrer glanced to Jake, almost shy in his drunk, tepid and put-off as he was set to the porch, surprised again at how his younger boy had grown. Jake felt it well up in his gut, in his muscled shoulders and forearms, the anger and guilt, the tension of struggle. What did his father want to accuse him of?
This the building that housed Anna Wilson’s notorious Omaha brothel. Pictured here in the 1920s. After Wilson’s death, the building was converted into a hospital, per her wishes. (Courtesy of Wilson & Washburn, a new bar downtown that’s named after Anna and Josie Washburn, a prostitute turned reformer who makes a cameo in my novel.)
Summer is here in just about every way imaginable, so it’s time to recap what’s gone down the past few months.
First, some news about Tom Dennison’s house at 7510 Military Ave was passed on to me by a reliable source who wishes to remain anonymous. (Previous posts about the Dennison house can be found here and here.) There was some confusion about which side of Military the house was actually located, and my source let me know that the address of the house would have changed at some point after Dennison died. So while it was originally 7510 Military, it would have been on the 7300 block of Graceland Drive for most of the time it was standing, putting it south of Military, on the property of Skyline Retirement Community rather than on Marian’s side like I thought. That the address changed clears everything up.
Some more info from the source:
From the 1960s until it was torn down in 2006, the house was used as a guest house by Skyline Manor, and later as administrative offices. There was an effort to remodel the home before the decision to raze it was finalized, but the cost of a new roof, structural repairs, asbestos removal, etc, etc, was deemed too great. Skyline also offered the house free to anyone who wanted to relocate it to a new property, but, again, the cost of moving the house vastly exceeded its monetary value. The spot where the house stood is now a parking lot.
Other news from what was a pretty busy season:
-I was awarded a fellowship and residency by Akademie Schloss Solitude in Stuttgart, Germany. (Get the whole story here and here.) Summer of 2014 can’t come soon enough. We’ve been busy planning out the trip and addressing all sorts of logistical issues. I thought Maddie would be a little more nervous, but she’s still very excited about the whole thing, just so long as she gets to watch movies on the airplane and have torte for dessert every meal. Not such unreasonable demands.
-“The Hyphenates of Jackson County,” an excerpt from my novel-in-progress, was short-listed as a finalist for the Summer Literary Seminars Unified Literary Contest. It did not win.
-Not a lot of travel lately, although we did spend a few days in Los Angeles in April, which was really nice. On the docket for this summer: the Ozarks, Kansas City, and a family trip to Chicago to give the girls a little more flight experience before crossing over to Germany next summer. Tentative plans call for a little jaunt to New York this fall to retrace and expand last year’s bratwurst tour of Manhattan.
Madchen.
Dispatch from The Uninitiated
Tom hadn’t exactly been feeling fit, but he didn’t feel any worse than he had the month before, and maybe he was a little better than the month before that. His daughter had him doing all sorts of things to feel better. Morning ablutions. Evening exercises. A Bulgarian hulk came to stretch his legs with a rubber strap and burn his back with rocks. He had a steambath installed in the back lawn. Tom submitted because she begged him to. Ada had him consuming all sorts of herbs and minerals too, he didn’t even ask what the names of her magic were. Selzter water mixed with salts from the Dead Sea, she claimed anyway. Now why he wanted to drink Dead Sea saltwater he didn’t know. Wasn’t dead the very thing he was trying to avoid? All it did was keep him in the bathroom all morning, and he suspected more than once that maybe this was Ada’s way of getting him to spend less time at work. It surely kept him occupied.
Just Finished
Woes of the True Policeman by Roberto Bolaño. Supposedly this is Bolaño’s final unfinished novel, what he was working on when he died, I guess, and it’s writing that ranks up with his best. A lot of it reads like stuff that was cut out of 2666, which is fine by me. The focus on Óscar and Rosa Amalfitano yields quite a few wonderful stories.
In a German Pension by Katherine Mansfield. A series of sketches about the guests of a German health resort. Mansfield is vastly underappreciated, and this is yet more great work from her. (The Kindle version of this is now free, fyi.)
Laughter in the Dark by Vladimir Nabokov. I’d never heard of this novel before, but picked it up on a recommendation while at Book Soup in Los Angeles, and I’m glad I did. A comedy of manners that romps through Berlin and Italy.
Death in Venice by Thomas Mann. I’ve been meaning to read this for years and finally got to it now that I’m trying to get a feel for the German canon before I’m over there next summer. A masterpiece. Maddie kept asking me to read it aloud for her–a little uncomfortable given the subject matter–because it’s so beautiful. I’m pretty sure she didn’t understand many of the words…hoping anyway.
Freedomby Jonathan Franzen. After all the controversy and hoopla surrounding this book when it came out a few years ago, I decided to give myself some space before reading it. I’m big fan of Franzen, but not so much this book.
The Slippage by Ben Greenman. A solid offering, but not quite on the level of his short fiction.
Now Reading
The Piano Teacher by Elfriede Jelinek. Really digging this. I’d been meaning to read this for a while too–being how I’m a fan of the Michael Haneke film based on the novel–and am glad I got to it.
A quick note today about the results of the 2013 Summer Literary Seminars Unified Literary Contest. The winners were announced last week here, of which I’m not included. Congrats to them.
While this wasn’t announced publicly, the contest coordinators did let me know that my submission was short-listed as a finalist. Good news there!
This is the fourth time I’ve been on an SLS contest short-list. Somebody there must like me, I guess. Quite a compliment considering the stiff competition the contest brings in. The significance this time is a little different for me in that my submission (“The Hyphenates of Jackson County”) was excerpted from my novel, thus continuing a string of positive momentum for The Uninitiated this year. No agent yet, no publisher. But, if you’ll excuse the recap, the full manuscript did win Tarcher/Penguin’s Top Artist Writing Contest and a different excerpt was accepted for publication in Boulevard under the title “River Ward, 1917”. The book is four years in the making, so it’s very nice to get some little bit of recognition of its quality. Hopefully the string continues to build.
Some day I hope to be a part of a Summer Literary Seminar. It’s a great institution for writers, one I’ve heard nothing but nice things about from folks who have gone out with them. Being immersed in the writing culture of a country on another continent for a month–what’s not to like? Here’s more information on their current seminars in Lithuania and Kenya in case you’re interested.
I’m excited to share that, this week, my fiction was again chosen to appear in a future edition of Boulevard! Amazingly, this will be my fourth story in Boulevard, which has really become a great home to my work these past few years. (The breakdown of each story is below if you’re interested.)
Here’s the opening of “River Ward, 1917”, which may be familiar to some of you:
It used to be a common thing for a young man to light off secretly in the night, searching for a life different from the one he toiled through at home. Jacob Bressler became an exile in this way. He left under starlight and led his horse over the brawny shoals of what would be his brother’s farm from then on. He didn’t bother with a saddle but merely slid a bridle over the nag’s muzzle and walked into the buggy paths of the river valley. In the dark he found the graveled highway that led to Omaha. There was no need to rush. His brother wouldn’t follow him.
What’s most pleasing about this pub is that “River Ward, 1917” is excerpted from my novel, The Uninitiated, and marks the first time any of this writing will see print. It’s a landmark, of sorts, for me. Four years have past since I began work on the novel. From it’s early shape as The Open City to the early days of The Hyphenates of Jackson County to its current form as The Uninitiated, it has taken a lot of work to get here.
So it’s exciting to get some of the book out there. To have the piece run in Boulevard means even more. Boulevard was my first major publication, running “Welcome Home” in the spring 2008, really launching an encouraging string of success with the short form that saw the story reprinted in Best New American Voices and recognized in a Pushcart Prize anthology. I can only hope that “River Ward, 1917” appearing in Boulevard in the fall of 2013 holds similar portent for my long form work. Regardless, cheers! This one feels good.
Special thanks goes out to Amber Mulholland, Travis Theiszen, Country Club Bill, Mary Helen Stefaniak and any others who helped this particular section through its early phases. And to the Lee Martin workshop at last June’s Nebraska Summer Writers Conference, who gave significant feedback and support in its latest phase. And to Richard Burgin and the editors at Boulevard too, of course. Thanks!
TW stories in Boulevard: “Welcome Home” in Spring 2008, “The Approximate End of the World” in Spring 2010, “On a Train from the Place Called Valentine” in Spring 2012, “River Ward, 1917” is forthcoming.