Remembering Robert Stone

The news started to spread last night on social media and I’m sure, if you’re a fan of his, you’ve probably heard that Robert Stone died yesterday. The New York Times broke the news and today published this appraisal of his work. Even though my connection to Stone is nothing special, I thought that I’d add my own remembrance as well. Please indulge me.

My first encounter with Robert Stone (or the promise of one) came in the summer of 2007. Earlier that year, finishing up the second semester of my MA, I’d applied for a scholarship to the Key West Literary Seminar and learned that I’d received partial aid to attend their forthcoming session in January. It wasn’t confirmed right away, but I was also informed that Robert Stone had expressed some enthusiasm about the manuscript I’d submitted and might accept me into a special workshop he was holding during the week. A month or so later I was confirmed in his workshop, and was thrilled. Things changed quickly that summer, however, once Nicole and I learned that our first child was on the way, and then that she would be a girl, and that she was due to arrive the same week I was supposed to be in Key West in a workshop with Robert Stone. I was in Omaha that week in January, of course, too elated to worry about what I might be missing in the tropics.

I did see Robert Stone read that summer, with Richard Bausch, at the 2007 Wesleyan Writers Conference. It was a strange week for me. A lot of the other attendees were trying to chase down agents or were out partying, but I kind of stuck to myself and made only a few friends. The day before I’d left for the conference was when we found out Nicole was pregnant; she’d confirmed this with a test at her doctor’s office while I was in Connecticut. This doesn’t have a lot to do with Robert Stone–except I heard him read that week, and now I can only remember the reading in terms of what I was preoccupied with at the time.

It was five years after this that I was actually part of a Robert Stone-led workshop at the Key West Literary Seminar. Nicole was again expecting a child, although with a two-month buffer before Clara arrived. (I was kind of a mess that week in Florida. I was anxious about what the future held and drank too much pretty much every night. I got the best and worst of Key West, I suppose, and spent the better part of our morning workshop meetings sweating out what I’d drank the night before.)

Workshop 2
Robert Stone, Mary Casanova, and me waving for the camera. Stone said, “There’s one in every group.” (Key West, 2012. Photo by Kate Miller.)

To be honest, I don’t think Stone was too fond of me during those four days. He had some nice things to say during the workshop of my story, although he didn’t really seem all that hopeful for the direction I planned on taking the material. He was generous and fair during workshop, and often profound with such an easy intellect that it was breathtaking. Being around a celebrity, particularly one who’s had an influence on so many, seems like it will be such a strange experience to me, but it really wasn’t in this case, and usually isn’t when it comes to authors, who aren’t really celebrities at all, I guess. The vitality of a great writer is something to behold. In undergrad I had the opportunity to do a special workshop with Rita Mae Brown and it was the same then. She was clearly operating on a different plane than the rest of us and, the same as with Stone, it was dazzling to watch.

A few of us would stick around on the front porch of the Skelton House after the sessions as Stone waited for his ride to pick him up. He’d share some stories with us. What it was like dealing with publishers when he got started and how things changed later on; how he got into sailing and deep sea diving by volunteering to serve as crew on yachts; how he’d gotten his grandson suspended from school by sending along a diving knife for show and tell, and how supremely funny he found that to be. Stone seemed most comfortable in those moments, I thought–that and when he read “Hills Like White Elephants” aloud to the group, a moment when several of us looked to each other and grinned with such exhilaration, such content at being in the room as one master communed with another.

When I was at KWLS last year Stone was slated to read from his newest novel, Death of the Black-Haired Girl, but it was announced that he’d injured his arm and couldn’t make it. I’d been excited that we were both on the schedule for the seminar that year, and was disappointed I wouldn’t get to again hear him read. But a broken arm is a broken arm. What can you do? Just another near-miss in Key West, a common enough thing.

RIP.

Recap: Key West Literary Seminar (2014)

hemingway pool
The trip started with a cocktail reception at the Ernest Hemingway Home. When I visited before, in daylight hours, the poolside seemed like a great place to have a party. It was.

After eleven days of the Key West Literary Seminar (four days of workshop with the incomparable and generous Mary Morris sandwiched between two weekend seminars) I made my way home to Omaha on Sunday night. It’s certainly nice to be home after what was quite a trip.

The theme this year was The Dark Side, which covered mostly crime and mystery novels, with some tangential works picked up along the way. While I’m not really a reader of mysteries, there were quite a few presenters who are, or might be, household names–Scott Turow, Carl Hiassen, Joyce Carol Oates, Lee Child, Michael Connelly. The high points for me came when Percival Everett, Malla Nunn, Gillian Flynn, Attica Locke, and John Banville/Benjamin Black were on stage. There was an undercurrent of writing race in historical fiction that developed in the second session that was much more thought-provoking and touching to me, although Carl Hiassen’s Florida Freak Show standup routine in the first session was certainly a highlight too. I don’t know why I would have thought any different, but folks who write about murder all day certainly seem to have an active sense of humor.

The books I came out really wanting to read are I Am Not Sidney Poitier and God’s Country by Percival Everett,  A Beautiful Place to Die by Malla Nunn, Ordinary Grace by William Kent Krueger, and Gone Girl by Gillian Flynn. There were more, of course, but these the most.

Hanging out with Judy, Liz, and Christine.

One of the highlights was visiting the elegant home of Judy Blume for a cocktail party during the week. She’s quite a hostess. (She also tweeted me the next day.) This invite was part of winning the Marianne Russo Award, so Christine Shan Shan Hou and Liz Gordon (the other two award winners) and I could hobnob with a few of the visiting writers and benefactors of the seminar, including Peyton Evans, who selected my work for the award. It was nice to be able to thank certain people in person.

blue heaven
The restored brothel room above Blue Heaven.

Another big feature of winning the Russo Award–along with having my bio and photo listed in the artful seminar book–was that I read from my work on stage during the seminar’s final session, a selection from “On the River, Down Where They Found Willy Brown.” A few years have passed since I’d last read in public, out loud, or been on a mic for that matter, but I really wasn’t all that nervous to be up on stage at the San Carlos institute. Actually, it was a lot of fun. After the cycles my writing life has taken the last five years–with a moderate high followed by a couple year lull–I really appreciated the opportunity to get up there and present my writing to an audience. I felt ready this time around, much more so than before, and am looking forward to any more success that I might luck into.

skelton house pool
What’s a polar vortex?

Thanks to Nathan, Christine, Dustin, Liz, Nick, Sam, and Sandy for being great house and/or roommates, and to everyone in the Mary Morris workshop, and to Amina, Carol, Mary, Melissa, Paula, Shannon, and Tim for joking around at events and between sessions. And, of course, I’m very grateful to Miles Frieden and Arlo Haskell (current and associate/future directors) for their support. This was my third trip to KWLS, so it should be obvious what I think of the community of writers and artists they’ve built down there.

I’ve mentioned it many times before, but it’s highly recommended that any interested writer (or teacher, or librarian) apply for financial aid to attend the seminar. KWLS is an awesome experience, they give out a ton of aid ($300k in the last six years, I guess, which is huge) and there’s no application fee to apply. Give it a shot. Next year’s theme is How the Light Gets In: Literature of the Spirit.

TW Headed Back to EYW & KWLS via the Russo Award!

Carlos Manuel de Céspedes, hero of Cuban independence and a familiar sight to the guests and patrons of the Key West Literary Seminar.

[Please excuse any and all verbal cheersing-myself that may occur in the following.]

More great news to share, as I’ve been awarded the Marianne Russo Award by the Key West Literary Seminar!

Here’s the official announcement on Littoral, the seminar’s blog. (Also, you can read more about the KWLS scholarship program here if you’re interested in applying next year, and you should be. No entry fee=no worries.) As if ten days in Key West during January wasn’t enough, the prize includes tuition to both sessions of seminars and workshop programs, airfare to and lodging in Key West, and some spending cash, along with the opportunity to present a reading of my work during the conference (on Sunday, January 19, at 11:40am, to be exact, if you happen to be in the neighborhood). It’s really a very generous award and a great opportunity. I’m thrilled to be headed back, this time with a little hardware waiting for me.

I feel like I’m telling people all the time what a great experience KWLS is. It truly is the best there is and an indispensable part of our American literary culture, as far as I’m concerned. Thanks so much to Miles Frieden (Executive Director of KWLS) and Arlo Haskell (Associate Director), who do such a great job every year. This will be my third trip to KWLS. (Here’s what happened last time I was there.) My first seminar dealt with historical fiction, the second with speculative fiction. This time the theme is “The Dark Side: Mystery, Crime & the Literary Thriller.”

I’ll be reading my work here in January. Eek.

The schedule includes events with Robert Stone, Percival Everett, Joyce Carol Oates, William Gibson, Carl Hiaasen, John Banville, among many others. I’m not really all that familiar with crime writing, frankly, and that makes this even more exciting. I wasn’t really all that interested in historical fiction when I attended my first KWLS–and certainly didn’t anticipate ever spending half a decade writing a historical novel myself.

While odd-numbered years can often be a cruel mistress, 2013 has without a doubt been good to me. There have been contest wins, publications (here, here) and acceptances (here, here), honorable mentions (here, here, here), an international fellowship to summer abroad, travel (here, here), along with the fact that we moved into a new house and love living in Dundee. I’ve enjoyed myself quite a lot this year and am not exactly looking forward to a new calendar, knowing how things tend to turn around. The party has to end sometime, right? Luckily, some more good luck has come along that guarantees, if nothing else, my 2014 will begin in style.

Thanks so much KWLS. See you soon!

KWLS 2012

So I’m back after spending eight days at the Key West Literary Seminar and workshops, and am still getting back into a home state of mind. The week was amazing and hectic. I met a lot of great people. I stayed up too late, drank too much, woke up too early. I was on a boat. Below are some highlights.

-I should mention something about the lineup first. The seminar featured George Saunders, Margaret Atwood, Jennifer Egan, Colson Whitehead, Joyce Carol Oates, Gary Shteyngart, Michael Cunningham, Jonathan Lethem, among others. It was such a strong string of lectures, readings, conversations, cocktail hours… It was really great.

-It was topped off by a four-day workshop with Robert Stone. I learned a bunch from Stone, mostly in listening to how he analyzes a story and his take on history and the history of literature–but I also learned quite a bit from the other writers/instructors talking about their experiences with Stone and his exploits, stories they’ve heard about the things he’s done. The guy has lived an interesting life, to say the least. Many of us in the workshop really treasured our time and felt lucky just to be in the same room as him. A very gracious, intelligent, and fascinating man.

-Highlight: George Saunders talking about having to get rid of his “Hemingway boner” in order to start writing his own good fiction. Saunders ruminating on his experience as a young writer was pretty special.

-Highlight: Jennifer Egan discussing PowerPoint as a medium, and going through some of her story “Great Rock and Roll Pauses.” By the way, Egan has the actual PowerPoint story on her web site if you’d like to read it. (Do this!)

I was on a boat.

-Egan also talked some about Gothic fiction, which I found very interesting. She mentioned “The Turn of the Screw” as the perfect Gothic novel. And, apparently, Michael Cunningham is adapting the novella for the screen. Or trying to at least.

-An agent sympathetic to the cause (political, not literary) from El Salvador flew over for a couple days to visit. No state secrets were compromised.

-I went on a sunset cruise on an old schooner.

-With a few other guys, I happened into a cocktail party hosted by Lee Smith and Hal Crowther. They’re so nice. The party was at a beachfront condo where (or next to where) Jimmy Buffett used to stay. It was pretty swank. There was an observation deck on the roof where we simultaneously watched (1) the sunset, (2) a lightning storm over the ocean, (3) heavy winds batter the beach. It was pretty intense up there, with the wind, the visuals. The wine kept splashing out of our glasses from the wind gusts. Still, the conversation never faltered through any of this. It was very invigorating. Something I don’t imagine I’ll soon forget.

Our pink home. The William Skelton House.

-We had a party at our house the last night of workshop. It was a lot of fun. We stayed in a big pink house just off Duval Street. There was a private pool in the back. I slept on a futon the whole week, but it could have been worse. Thanks to Eric, Spencer, Denton, Mark, Claire, Sabra, Emily, and Brad for being great housemates. (I hope I haven’t left anyone out. I don’t think I have.) Also, to Cat, Linda, Vanessa, Diana, and Jacquira too. We had a pretty strong crew going. Careless Whisper.

-If you get the chance to attend the KWLS some year, you should definitely do it. They give out a ton of financial aid, with no application fee. Why not try for it? Next years topic: “Writers on Writers.” This year was my second trip down, and hopefully not my last.