Happy Book Birthday – Juventud by Vanessa Blakeslee

Congrats to Vanessa Blakeslee on the publication of her first novel, Juventud! Fresh off the success of her 2014 story collection (Train Shots, Burrow Press) Vanessa is back with her second book quickly. I had the pleasure of meeting Vanessa at the 2012 Key West Literary Seminar, then ran an essay of hers (“First Job”) back when I was web editor with Prairie Schooner, and it’s been awesome watching her career blossom.

Curbside Splendor Publishing is still running a pre-order special as of right now–click over a grab a copy ASAP! She’s also booked quite a few dates on a tour–so check out her website to see if she’s coming to a city near you.

Growing up as the only daughter of a wealthy landowner in Santiago de Cali, Colombia, teenaged Mercedes Martinez knows a world of maids, armed guards, and private drivers. When she falls in love with Manuel, a fiery young activist with a passion for his faith and his country, she begins to understand the suffering of the desplazados who share her land. A startling discovery about her father forces Mercedes to doubt everything she thought she knew about her life, and she and Manuel make plans to run away together. But before they can, tragedy strikes in a single violent night. Mercedes flees Colombia for the United States and a life she never could have imagined. Fifteen years later, she returns to Colombia seeking the truth, but discovers that only more questions await. 

In the bristling, beautiful prose that won her an IPPY Gold Medal for her short story collection Train Shots, Vanessa Blakeslee’s Juventud explores the idealism of youth, the complexities of a ravaged country, and the stories we tell ourselves in order to survive. 

Happy Book Birthday: The Jazz Palace by Mary Morris

Click the cover. Buy the book.

Congratulations are in order for Mary Morris, whose new novel The Jazz Palace is now officially released from Nan A. Talese!

Mary led the workshop I was a part of at the Key West Literary Seminar in 2014, which is when I first heard about The Jazz Palace. For those interested in literary historical fiction, particularly historical fiction set in the Midwest, don’t miss out on this one.

A bit about the book:

Acclaimed author Mary Morris returns to her Chicago roots in this sweeping novel that brilliantly captures the dynamic atmosphere and the dazzling music of the Jazz Age.
     In the midst of boomtown Chicago, two Jewish families have suffered terrible blows. The Lehrmans, who run a small hat factory, lost their beloved son Harold in a blizzard. The Chimbrovas, who run a saloon, lost three of their boys on the SS Eastland when it sank in 1915. Each family holds out hope that one of their remaining children will rise to carry on the family business. But Benny Lehrman has no interest in making hats. His true passion is piano—especially jazz.
     At night he sneaks down to the South Side, slipping into predominantly black clubs to hear jazz groups play. One night he is called out and asked to “sit in” on a group. His playing is first-rate, and the other musicians are impressed. One of them, the trumpeter, a black man named Napoleon, becomes Benny’s close friend and musical collaborator, and their adventures together take Benny far from the life he knew as a delivery boy. Pearl Chimbrova recognizes their talent and invites them to start playing at her family’s saloon, which Napoleon dubs “The Jazz Palace.”
     But Napoleon’s main gig is at a mob establishment, which doesn’t take too kindly to freelancing. And as the ’20s come to a close and the bubble of prosperity collapses, Benny, Napoleon, and Pearl must all make hard choices between financial survival and the music they love.

Remembering Robert Stone

The news started to spread last night on social media and I’m sure, if you’re a fan of his, you’ve probably heard that Robert Stone died yesterday. The New York Times broke the news and today published this appraisal of his work. Even though my connection to Stone is nothing special, I thought that I’d add my own remembrance as well. Please indulge me.

My first encounter with Robert Stone (or the promise of one) came in the summer of 2007. Earlier that year, finishing up the second semester of my MA, I’d applied for a scholarship to the Key West Literary Seminar and learned that I’d received partial aid to attend their forthcoming session in January. It wasn’t confirmed right away, but I was also informed that Robert Stone had expressed some enthusiasm about the manuscript I’d submitted and might accept me into a special workshop he was holding during the week. A month or so later I was confirmed in his workshop, and was thrilled. Things changed quickly that summer, however, once Nicole and I learned that our first child was on the way, and then that she would be a girl, and that she was due to arrive the same week I was supposed to be in Key West in a workshop with Robert Stone. I was in Omaha that week in January, of course, too elated to worry about what I might be missing in the tropics.

I did see Robert Stone read that summer, with Richard Bausch, at the 2007 Wesleyan Writers Conference. It was a strange week for me. A lot of the other attendees were trying to chase down agents or were out partying, but I kind of stuck to myself and made only a few friends. The day before I’d left for the conference was when we found out Nicole was pregnant; she’d confirmed this with a test at her doctor’s office while I was in Connecticut. This doesn’t have a lot to do with Robert Stone–except I heard him read that week, and now I can only remember the reading in terms of what I was preoccupied with at the time.

It was five years after this that I was actually part of a Robert Stone-led workshop at the Key West Literary Seminar. Nicole was again expecting a child, although with a two-month buffer before Clara arrived. (I was kind of a mess that week in Florida. I was anxious about what the future held and drank too much pretty much every night. I got the best and worst of Key West, I suppose, and spent the better part of our morning workshop meetings sweating out what I’d drank the night before.)

Workshop 2
Robert Stone, Mary Casanova, and me waving for the camera. Stone said, “There’s one in every group.” (Key West, 2012. Photo by Kate Miller.)

To be honest, I don’t think Stone was too fond of me during those four days. He had some nice things to say during the workshop of my story, although he didn’t really seem all that hopeful for the direction I planned on taking the material. He was generous and fair during workshop, and often profound with such an easy intellect that it was breathtaking. Being around a celebrity, particularly one who’s had an influence on so many, seems like it will be such a strange experience to me, but it really wasn’t in this case, and usually isn’t when it comes to authors, who aren’t really celebrities at all, I guess. The vitality of a great writer is something to behold. In undergrad I had the opportunity to do a special workshop with Rita Mae Brown and it was the same then. She was clearly operating on a different plane than the rest of us and, the same as with Stone, it was dazzling to watch.

A few of us would stick around on the front porch of the Skelton House after the sessions as Stone waited for his ride to pick him up. He’d share some stories with us. What it was like dealing with publishers when he got started and how things changed later on; how he got into sailing and deep sea diving by volunteering to serve as crew on yachts; how he’d gotten his grandson suspended from school by sending along a diving knife for show and tell, and how supremely funny he found that to be. Stone seemed most comfortable in those moments, I thought–that and when he read “Hills Like White Elephants” aloud to the group, a moment when several of us looked to each other and grinned with such exhilaration, such content at being in the room as one master communed with another.

When I was at KWLS last year Stone was slated to read from his newest novel, Death of the Black-Haired Girl, but it was announced that he’d injured his arm and couldn’t make it. I’d been excited that we were both on the schedule for the seminar that year, and was disappointed I wouldn’t get to again hear him read. But a broken arm is a broken arm. What can you do? Just another near-miss in Key West, a common enough thing.

RIP.

In the Year 2015: Omaha Uninitiated — A Return to Solitude — On the River Chapbook

There will be more of a formal announcement for all this soon, but I’ve been itching to share about a project I’ve been working on as part of my association with Akademie Schloss Solitude, so here you go.

This upcoming February I’ll return to Germany to participate with other fellows and guests of the Akademie in a two-day, cross-discipline workshop titled “Quotes and Appropriation.” I’m very excited to return to Stuttgart for this, as its a culmination and redirection of the book project I’ve been working on the past five years.

In addition to panels and workshops, there will be an opening night presentation called “Omaha Uninitiated: Music, Cultural Artifact, and Historical Event in the Recreation of Civic Trauma.” This project contains three elements–a set of readings from On the River, Down Where They Found Willy Brown, a novella based on events surrounding the Omaha Courthouse Lynching of 1919 (more on this below); a presentation of photographs and video that have been important to the creation of On the River, and my related full-length novel The Uninitiated; and a DJ performance by Darren Keen.

It will be amazing to bring five year’s worth of research and writing on this topic to Germany, and I’m particularly excited to see what Darren comes up with for the music component, what will be a mashup and cross-fertilization of music from the World War I era that was important to the creation of the novel (ragtime, propaganda music, American folk, jazz) mixed with music from Nebraska in the last fifteen years.

The final part of all this is publication of the aforementioned novella (On the River, Down Where They Found Willy Brown) by the Reihe Projektiv imprint of Edition Solitude. If you heard me read at the Key West Literary Seminar in January, Solitude Nacht in July, or last Friday at the Fair Use Reading Series in Benson, that is some of the same material. Todd Seabrook (editor/designer with The Cupboard) is working on the design and I’m pretty excited how it’s turning out.

More on all this later.

One Last Key West Photo–TW Reading at the Seminar

Wheeler-KWLS-2014-5517
Photo by Nick Doll.

I had a jacket on and everything! And only look a little puffy and haggard. Not bad for Day 12 at the KWLS. This was taken during the award-winners reading on the final Sunday of festivities at the San Carlos Institute. I presented part of my piece that won the Marianne Russo Award, “On the River, Down Where They Found Willy Brown,” which is excerpted from the novel I’m working on.

Happy Book Birthday: Train Shots by Vanessa Blakeslee

Congrats are in order for Vanessa Blakeslee, whose collection of short stories, Train Shots, was released today by Burrow Press!

Vanessa is one of the great writers I met in Key West during KWLS 2012. It’s exciting to see so many of the crew from that year with books out. This is the fourth, I believe, if I haven’t missed anyone, with Eric Sasson having a novel forthcoming too. Truly exceptional work.

Here’s the jacket copy for Train Shots:

A single mother rents a fundamentalist preacher’s carriage house. A pop star contemplates suicide in the hotel where Janis Joplin died. A philandering ex-pat doctor gets hooked on morphine while reeling from his wife’s death. And in the title story, a train engineer, after running over a young girl on his tracks, grapples with the pervasive question–what propels a life toward such a disastrous end? Rendered in a style both generous and intelligent, the men and women at the center of these subtle stories are driven by their unusual predicaments and preoccupations. Rife with dark humor, Vanessa Blakeslee’s debut story collection illuminates the idiosyncratic and the mundane in energetic, bristling prose that marks the arrival of a powerful new voice.

Congrats, Vanessa!

Recap: Key West Literary Seminar (2014)

hemingway pool
The trip started with a cocktail reception at the Ernest Hemingway Home. When I visited before, in daylight hours, the poolside seemed like a great place to have a party. It was.

After eleven days of the Key West Literary Seminar (four days of workshop with the incomparable and generous Mary Morris sandwiched between two weekend seminars) I made my way home to Omaha on Sunday night. It’s certainly nice to be home after what was quite a trip.

The theme this year was The Dark Side, which covered mostly crime and mystery novels, with some tangential works picked up along the way. While I’m not really a reader of mysteries, there were quite a few presenters who are, or might be, household names–Scott Turow, Carl Hiassen, Joyce Carol Oates, Lee Child, Michael Connelly. The high points for me came when Percival Everett, Malla Nunn, Gillian Flynn, Attica Locke, and John Banville/Benjamin Black were on stage. There was an undercurrent of writing race in historical fiction that developed in the second session that was much more thought-provoking and touching to me, although Carl Hiassen’s Florida Freak Show standup routine in the first session was certainly a highlight too. I don’t know why I would have thought any different, but folks who write about murder all day certainly seem to have an active sense of humor.

The books I came out really wanting to read are I Am Not Sidney Poitier and God’s Country by Percival Everett,  A Beautiful Place to Die by Malla Nunn, Ordinary Grace by William Kent Krueger, and Gone Girl by Gillian Flynn. There were more, of course, but these the most.

Hanging out with Judy, Liz, and Christine.

One of the highlights was visiting the elegant home of Judy Blume for a cocktail party during the week. She’s quite a hostess. (She also tweeted me the next day.) This invite was part of winning the Marianne Russo Award, so Christine Shan Shan Hou and Liz Gordon (the other two award winners) and I could hobnob with a few of the visiting writers and benefactors of the seminar, including Peyton Evans, who selected my work for the award. It was nice to be able to thank certain people in person.

blue heaven
The restored brothel room above Blue Heaven.

Another big feature of winning the Russo Award–along with having my bio and photo listed in the artful seminar book–was that I read from my work on stage during the seminar’s final session, a selection from “On the River, Down Where They Found Willy Brown.” A few years have passed since I’d last read in public, out loud, or been on a mic for that matter, but I really wasn’t all that nervous to be up on stage at the San Carlos institute. Actually, it was a lot of fun. After the cycles my writing life has taken the last five years–with a moderate high followed by a couple year lull–I really appreciated the opportunity to get up there and present my writing to an audience. I felt ready this time around, much more so than before, and am looking forward to any more success that I might luck into.

skelton house pool
What’s a polar vortex?

Thanks to Nathan, Christine, Dustin, Liz, Nick, Sam, and Sandy for being great house and/or roommates, and to everyone in the Mary Morris workshop, and to Amina, Carol, Mary, Melissa, Paula, Shannon, and Tim for joking around at events and between sessions. And, of course, I’m very grateful to Miles Frieden and Arlo Haskell (current and associate/future directors) for their support. This was my third trip to KWLS, so it should be obvious what I think of the community of writers and artists they’ve built down there.

I’ve mentioned it many times before, but it’s highly recommended that any interested writer (or teacher, or librarian) apply for financial aid to attend the seminar. KWLS is an awesome experience, they give out a ton of aid ($300k in the last six years, I guess, which is huge) and there’s no application fee to apply. Give it a shot. Next year’s theme is How the Light Gets In: Literature of the Spirit.

Autumn in Review (2013)

No big news regarding the novel-writing at this point. I’ve been busy reworking the reworks. Tried half a dozen more ways to do the opening pages and feel like I’m getting closer on that. For a long time I leaned on having a sort of prologue opening, but decided to cut all but four pages of that, as it seemed to be more of a crutch for me as writer than anything that might interest a reader. Always a tricky business figuring out what actually needs to be on the page and what needed to be written for the writer only. Getting closer though.

There was some more tangible news related to The Uninitiated over the season though, as Boulevard published an excerpt of the novel in October, titled “River Ward, 1917.” This is the first bit of writing from the novel that’s been published, so definitely exciting news there.

Meanwhile, in December, another excerpt, “On the River, Down Where They Found Willy Brown,” brought home the Marianne Russo Award from the Key West Literary Seminar. Among the many benefits are free travel and lodging at this year’s seminar, the opportunity to read my work as part of the regular program at the seminar, and an 11-day stay in Key West. It will be sad to miss over a third of Nebraska’s January, but somehow I’ll soldier through.

These two things, along with a fellowship to Akademie Schloss Solitude, winning the Tarcher/Penguin Top Artist contest, a long-list notice in the Inkubate novel contest–all of which was based on work done for The Uninitiated–makes me hope I’m on the right track here.

There was more publishing news in November, as Five Chapters accepted “Impertinent, Triumphant” for publication. The story will run sometime in March, probably. Really looking forward to that too.

Also, some interesting thoughts on living abroad are offered here in this article.

Finally, congrats to emily m. danforth and her novel The Miseducation of Cameron Post for taking the “Woman Writer” award at the High Plains Book Awards. So happy for emily and all of her success.

Dispatch from The Uninitiated

“Tom thought it over as he paced the brick drive that led up to his house, two days after the vote. Bullet straight and tree-lined, the drive gave the impression of something fantastic as his house slipped into view, large and unreachable, a mirage. The house was wood-framed with finishes of granite at certain edges, the cellar and foundation limestone, highlights of plaster festoons above the front door. A few chimneys rose above beveled eaves. Off the second floor bedrooms were balconies as wide as the patios below, where a tiered-garden overlooked the industrial valley. There were pergolas holding grape vines, arbors abloom with creeping red ivy. Everything here was made for entertaining, for looking at, for admiring, but up close these spaces didn’t serve any purpose. This was an unpeopled luxury, a lonely glutton of riches in and of itself. If Tom was being honest, he had to admit this.

“Years before, an enemy left a bomb on the front doorstep. An ingenious design, the bomb, a simple wooden box with six sticks of dynamite and a pistol inside. A string was tacked to the porch and connected to the trigger of the pistol. If someone had lifted the box, his wife Ada or daughter Frances, the whole house would have been blasted clean off the earth, leaving only a rubbled crater. Frances found the box with a friend, and she told Tom about it. A smart girl, Frances didn’t touch the infernal device at all. Tom noticed the trip wire when she brought him to see. He had police dismantle the bomb. After that Tom closed the grounds. Bodyguards were kept outside around the clock. You had to be a close family friend, a known friend, if there was such a thing, or else you couldn’t get in. The bomb changed things. That’s when Tom put the machine gun across his lap in the car. That’s when everything here, all this bounty he’d won over the years, all of it, started being lonely.”

Just Finished

The 42nd Parallel by John Dos Passos. I’d always avoided the USA Trilogy for some reason. Dos Passos is so often only a foot-note to Hemingway among the great writers of the Lost Generation, although his novels are consistently lauded and canonized as well. I’d just never known anyone who actually read him, so there wasn’t much of a conversation to join, I guess. After reading this first third of the trilogy I can see why Dos Passos is still relevant. So much of his pro-labor and socialist message is probably lost to most contemporary readers–it’s similar to reading The Jungle at times–but the level of energy and innovation is very high here too. Very rich, poetic, and affecting.

The Rings of Saturn by W.G. Sebald. The way these conversational essays seem to be written more for effect–that your mind wanders with the flow of information, sometimes parallel to it, sometimes not–produces an interesting reading experience. I’d read about Sebald’s work a lot before I ever read it, so I kind of knew what to expect. At the same time, I’m still not really sure what to think.

The Assassination of Jesse James by the Coward Robert Ford by Ron Hansen. Really enjoyed this. A lot more than I thought I would, frankly. I met Ron when he visited Creighton University this fall, which is what prompted me to finally pull this off my “To Read” book shelf. The psychological depth of the novel is pretty astounding. Plenty of shoot-outs and train robberies too, of course.

The Castle by Franz Kafka. A monster of an unfinished novel. I was compelled to read this after watching Michael Haneke’s film adaptation, and really enjoyed both quite a lot. The idea of reading an unfinished novel always intrigues me, particularly ones of this class that could just as accurately be called “unfinishable” novels. It isn’t so much that the plot line is incomplete, more that the story could never finish. It’s not like K.’s going to find some sort of victory in the end, or defeat for that matter. The novel follows his string of embarrassments and slight advancements and eventually stops as he reaches the end of his inertia. I kind of wondered if the novel wasn’t finished after all.

Hide Island by Richard Burgin. A review I wrote of this collection of short stories will be appearing in Prairie Schooner‘s Briefly Noted online book review, probably in February.

Now Reading

A Constellation of Vital Phenomena by Anthony Marra. This has been pretty engaging so far, although the writing sometimes comes off as haphazard, particularly when it comes to POV. Maybe haphazard isn’t the right word, superfluous?, but I often question some of the strategies Marra uses here to tell the story. A good book nonetheless. I can certainly see why it made so many Best of lists this year, mostly because of the story of an orphaned little girl and two eccentric doctors in war-torn Chechnya is so remarkable.

An American Tragedy by Theodore Dreiser. I’ve been reading this off and on for a few years now. I come across some criticism about Dreiser a while ago that lumped him into a group of American novelists who have novels regarded as classics (Dreiser has two, of course, with Sister Carrie also showing impressive staying power) even though the writing itself isn’t really all that remarkable. I’d tend to agree with the assessment. Nobody is going to confuse Dreiser with Hemingway or Fitzgerald, as far as style and form go, although the story of his novels really is so quintessentially American (for its time, place, and class) that it’s hard to dispute the status of his novels as classics. Steinbeck was the other novelists lumped into this category, which seems to fit as well.

Up Next

The Third Book about Achim by Uwe Johnson. The follow-up novel to Speculations about Jakob. These books can be difficult to locate, but I happened to find one at the always excellent Jackson Street Booksellers and was lucky enough to get the other from Nicole for Christmas.

TW Headed Back to EYW & KWLS via the Russo Award!

Carlos Manuel de Céspedes, hero of Cuban independence and a familiar sight to the guests and patrons of the Key West Literary Seminar.

[Please excuse any and all verbal cheersing-myself that may occur in the following.]

More great news to share, as I’ve been awarded the Marianne Russo Award by the Key West Literary Seminar!

Here’s the official announcement on Littoral, the seminar’s blog. (Also, you can read more about the KWLS scholarship program here if you’re interested in applying next year, and you should be. No entry fee=no worries.) As if ten days in Key West during January wasn’t enough, the prize includes tuition to both sessions of seminars and workshop programs, airfare to and lodging in Key West, and some spending cash, along with the opportunity to present a reading of my work during the conference (on Sunday, January 19, at 11:40am, to be exact, if you happen to be in the neighborhood). It’s really a very generous award and a great opportunity. I’m thrilled to be headed back, this time with a little hardware waiting for me.

I feel like I’m telling people all the time what a great experience KWLS is. It truly is the best there is and an indispensable part of our American literary culture, as far as I’m concerned. Thanks so much to Miles Frieden (Executive Director of KWLS) and Arlo Haskell (Associate Director), who do such a great job every year. This will be my third trip to KWLS. (Here’s what happened last time I was there.) My first seminar dealt with historical fiction, the second with speculative fiction. This time the theme is “The Dark Side: Mystery, Crime & the Literary Thriller.”

I’ll be reading my work here in January. Eek.

The schedule includes events with Robert Stone, Percival Everett, Joyce Carol Oates, William Gibson, Carl Hiaasen, John Banville, among many others. I’m not really all that familiar with crime writing, frankly, and that makes this even more exciting. I wasn’t really all that interested in historical fiction when I attended my first KWLS–and certainly didn’t anticipate ever spending half a decade writing a historical novel myself.

While odd-numbered years can often be a cruel mistress, 2013 has without a doubt been good to me. There have been contest wins, publications (here, here) and acceptances (here, here), honorable mentions (here, here, here), an international fellowship to summer abroad, travel (here, here), along with the fact that we moved into a new house and love living in Dundee. I’ve enjoyed myself quite a lot this year and am not exactly looking forward to a new calendar, knowing how things tend to turn around. The party has to end sometime, right? Luckily, some more good luck has come along that guarantees, if nothing else, my 2014 will begin in style.

Thanks so much KWLS. See you soon!