Bad Faith Reviewed on Ploughshares Blog

bad-faith_wheelerCheck out this great new review that was posted today on the Ploughshares blog!

Thanks to Denton Loving for his well-considered and spot-on review, and to Ploughshares for publishing it on their blog. (Btw, Ploughshares is currently looking to hire their regular bloggers for 2017. It’s a paid gig!)

Click on over to Ploughshares to read the whole review. Here’s a sample:

One character points out that the Romans believed whoever summoned the Furies “also ended up getting fucked over in the end.” No character in Bad Faith exemplifies that better that Aaron Kleinhardt. A series of heart-in-your-throat moments lead to a startling confrontation when Aaron becomes entangled with Amy, a young woman almost as confused and lonely as Aaron has been.

By anchoring his collection around Aaron Kleinhardt, Wheeler creates subtle connections. The stories feel linked in an understated but solid way, creating a canvas with more depth than any one short story alone could give. Wheeler’s characters are people we know. They are the people who have failed us, as well as the people we have failed. His stories are reminders that few things in this world are completely random. Not luck or grace or pain or violence. Certainly not death or karmic justice.

In the Contributor Spotlight with Midwestern Gothic

issue12Check out a new interview posted today on Midwestern Gothic, as I talk with Allison Reck about vulnerability, Bad Faith, and finding voice among a diverse cast of characters, along with my thoughts on napping and what is an appropriate time to eat supper on the weekend.

Friends of the blog may recall that my story “The Mercy Killing of Harry Kleinhardt” (the opening story in Bad Faith) was published in Midwestern Gothic 8 back in the winter of 2013. At the time I was also featured in their Contributor Spotlight, which makes for an interesting comparison with the latest interview. (It’s particularly funny that when asked what literary figure I would like to meet (living or dead) that I responded with George Saunders–as I had actually met George Saunders before. Maybe I forgot that I’d bumped into him at the Key West Literary Seminar in 2012–or maybe it was that our conversation then was limited to whether or not the pasta salad looked edible–but somehow that must have slipped my mind.) Thanks so much to Allison Reck for conducting the interview, and Midwestern Gothic for posting it.

Read the entire interview here, but in the meantime, here’s a highlight:

AR: In the advanced praise for Bad Faith, fellow authors hailed you for your “nuanced understanding of human nature” and said that your stories revealed the “malice, confusion, and ultimate frailty of us all.” Do you agree with this commentary, that your collection exposes humanity as confused, malicious and frail? What did you hope to convey about humanity in writing these stories?

TW: I didn’t really intend to write a mean-spirited book, and I don’t think it is. There’s something really compelling to me about vulnerability, particular those who are willfully exposed and those who try to cover up weakness by being cruel to others. There are a few malicious characters in Bad Faith — notably Aaron Kleinhardt, a criminal element who appears in two stories and seven between-story vignettes — but for the most part these are people who are vulnerable and different, but not really that interested in covering up their frailty.

“On a Train” Selected for New Stories from the Midwest 2015

new20stories20201320front20cover20201420aug2016The last days of 2015 are dwindling, but there’s still a little time to sneak in some good news before the calendar turns. So…I’m happy to share that guest editor Lee Martin has picked my story “On a Train from the Place Called Valentine” to appear in the New Stories from the Midwest 2015 anthology!

The story was originally published in Boulevard and is now part of the title/anchor novella of my short fiction collection, Bad Faith, that will be out this summer from Queen’s Ferry Press. Here’s a post I wrote about the story before, and this one too. In short, “On a Train from the Place Called Valentine” is a psychological thriller that follows heroine Amy Gutschow after she jumps a freight train outside Aurora, Nebr and through her confrontation with a pathetic but dangerous ladies man, Aaron Kleinhardt, after she hops off the train in Valentine, Nebr.

Stories of mine made honorable mention in the two previous editions of New Stories from the Midwest. (“The Approximate End of the World” in 2012 and “The Current State of the Universe” in 2013.) I’m super excited to have one of mine make it in this time!

New Stories from the Midwest 2015 should be out in three months or so, and I’ll have more links, photos, and ordering information closer to the release.

Thanks so much to the Series Editors, Jason Lee Brown and Shanie Latham, guest editor Lee Martin, editor of Boulevard Richard Burgin, and New American Press for publishing the anthology!

“Mercy Killing” to Appear in Midwestern Gothic!

I’m pleased to announce that my short story “The Mercy Killing of Harry Kleinhardt” was accepted for publication in the great, and newish, literary journal Midwestern Gothic! The story will appear in their next issue, which I believe will be Issue 8, Winter 2013. More specifics will be forthcoming, no doubt.

Here’s an excerpt from “The Mercy Killing of Harry Kleinhardt”:

Aaron never actually knew his mother, not in any real way. When he was a boy he fantasized about her coming back to rescue him from Nebraska, to take him with her to LA, New York, Chicago, wherever she’d landed. Aaron knew so little about her that these dreams seemed like they could be real. His dad never told him what really happened to her. Harry would say, “She’s alive,” if Aaron pestered him enough. “That’s all you need to know. That woman you like to call your mom is still breathing somewhere.”

Aaron didn’t learn much about the world outside Jackson until later, but even as a boy it seemed pretty obvious that things were better elsewhere—and that this was the reason his mother left. There was an old joke about how Jackson was the only town in this free Union state to be named after a Confederate general, and that about summed up how out of step Jackson was with the rest of the planet, Aaron thought.

More than likely his mother met some men in Sioux City and took off from there. Maybe another woman hooked her into a hot lead for some quick money, some liquor or drugs, or a chance to work a back room at a horse track. Over the years, Aaron convinced himself of a thousand scenarios other than those that were likely. He dreamed, at different times, that she was a nomadic bounty-hunter in Texas, a piano teacher in Vienna, a pilot for the US Navy, an Amazon explorer, an African missionary. There was a long string of them. That she was the wife of an extraordinarily rich man was a recurring theme. They were ridiculous dreams. Aaron didn’t have much to work with in creating them.

There is plenty of overlap in this story with my other work. That’s always fun. For starters, the story is set in Jackson, Nebraska; the same Jackson County as is featured in my novel, The Uninitiated. (Read here for an explanation of how my Jackson, Neb. is different from the real Jackson, Neb; and how Sherwood Anderson’s Winesburg, OH differed from the real Winesburg, OH in similar ways.)

Most of the crossover, however, stems from the fact that “The Mercy Killing of Harry Kleinhardt” is part of my Bad Faith series of stories, all of which have been published now. The Aaron Kleinhardt of “Mercy Killing” is the same from “Kleinhardt’s Women” (Fogged Clarity, Dec 2010) and “On a Train from the Place Called Valentine” (Boulevard, Spring 2012), which shares characters with “The First Night of My Down-and-Out Sex Life” (Confrontation, Fall 2011) and “The Man Who Never Was” (Weekday, Summer 2010).

This is the first time I’ve written a series of connected stories so long–maybe testing my stamina before writing a novel?–and it’s exciting to see all of the stories find a home. But with so much murder, sex, drugs, alcoholism, adultery, betrayal, and deception in the cycle, it’s little wonder they’ve found an audience. Midwestern Gothic is a fitting end to this stage of the stories’ publishing life, and an apt home for “Mercy Killing.” I’m glad to have the story picked up, of course, and particularly glad that it was Midwestern Gothic who laid claim to it. Cheers!