With pub day for Kings of Broken Things rapidly approaching (tomorrow!) a few more interviews and reviews should be coming out this week–including this Q&A I did with the Omaha Public Library for their blog.
Thanks to librarian Erin Duerr for the great questions and for helping to promote my book!
OPL: Kings of Broken Things is set during the Omaha Race Riot of 1919. What drew you to this time in Omaha’s history?
TW: For the last 10 years, I’ve worked as a reporter for a news service and covered a beat at the Douglas County courthouse, which, of course, was the site of the race riot and lynching. I’d first heard of the riot when I was in fourth grade, growing up in Lincoln, and it has stuck in my mind ever since. Spending so much time at the courthouse, it was something I thought about almost every day while walking the halls, stairs, and surrounding neighborhood. Beyond that, it was such a chaotic and inventive age, notably in art, technology, and transportation. The grief over World War I was experienced over this backdrop in such an expansive way–this notion of the “war to end all wars,” that it was so abominable that it couldn’t be repeated. This feeling was echoed in Omaha after the lynching of Will Brown, by the way, that the tragedy would spur society to improve and never repeat its mistakes. Given that context, it’s troubling to think that the U.S. has been at war my entire adult life. Following World War I, you see a lot of intense examination of the psychic damage war causes. These similarities in the art and culture of the era are attractive to me and my art, and the time is still recognizably Modern in other ways too. Like most historical fiction, it’s a convenient way to think about our own times.