About Writing and Politics in Six Parts

1-4-00-courtesy-of-the-durham-museum-600x491Somehow I missed when this essay was posted in September, but it seems so much more appropriate to post here on the eve of Election Day anyway–an essay on the relation of politics and art within my work. So please finds my contribution–“About Writing and Politics in Six Parts”–in Schlossghost #1, a year book for the 2014-16 fellows of Akademie Schloss Solitude.

The essay is a response to two questions posed by the editors of Schlossghost, Paula Kohlmann and  Clara Herrmann. “Would you say that your (artistic) practice is political? If so, how would you describe its political dimension?”

Find the whole response at the link above, and here’s a sample for now:

In May, earlier this year, I covered a Donald Trump rally that took place in an aircraft hangar near the Omaha airport. At first I was a little worried about even going, as there had been quite a bit of violence at Trump rallies the month before and I wasn’t sure if I wanted to be a party to all that ugliness. But, on the other hand, of course I did. That’s a big part of my job description, the part of the job I like, to be witness to these things.

The rally itself was mostly dull. Trump spoke for a long time about Japanese tariffs without much insight, and the biggest part of his speech was a 20-minute anecdote about this time he handed out trophies at a charity golf tournament. During the rally a few protestors were thrown out. His supporters for the most part looked bored throughout, except at the beginning and end, when his helicopter landed and when they could chant »build that wall.«

I wondered about my feelings of disappointment after the rally. What was I expecting? Wasn’t xenophobia on display enough? Were the protestors dragged out too peacefully? Or did I miss something, the feeling of the event, the undercurrent? Did I feel the way I did because I wasn’t in the crowd? I sat up in the press section – a platform with tables where journalists were corralled behind a fence. By accident I sat between a Fox News anchor and his producer, to comic effect. Seeing their frustration with having to follow Donald Trump made me a little grateful for my obscure lot, for not having to spend all day working a story and then being told to reduce it to a ten-second clip of a long-haired young man shouting »fuck you« at the police.

October in Review (2011)

The big news in what turned out to be a busy month—and this is unannounced news at that, which I hope is okay to make public—is that I’ve been appointed Blog and Social Networking Editor at Prairie Schooner! This is a new editorial position in which I’ve been commissioned to take an active role in the PS blog, social media presence, and other communications with subscribers and contributors. It’s a pretty cool opportunity and I’m excited to move up to the editorial staff. Sadly, I’ll be giving up my Senior Fiction Reader duties, although I doubt anyone would stop me from reading as many slush submissions as I care to.

More to come on this.

In other news:

Boulevard nominated my story “On a Train from the Place Called Valentine” for a Pushcart Prize, and for inclusion in a Best of the Midwest anthology. I’m usually a little wary of touting nominations, but this is awesome news, especially since the story won’t even run in Boulevard until March of next year. Wish me luck!

-“These Things That Save Us” was published in the debut issue of Conversations Across Borders. Here’s what I had to say about writing the story and Cab in October.

-My review of Rahul Mehta’s short story collection, Quarantine, appeared on The Iowa Review Online, just in case you missed it. The review is pretty good, I think. Plus, this marked the first time I’d been paid for a book review, which is something.

The Kenyon Review is offering a new fellowship opportunity to post-MFA/post-PhD writers. It’s pretty awesome. $32,000 a year, for two years, both teaching and editorial opportunities. Plus time to pursue a significant project. Some good stuff is surely going to come out of this; I’m fully prepared to be jealous of whoever receives the first fellowship.

-I got a little love from The Cincinnati Review on their blog recently, in this post by staff member Dietrik Vanderhill about “The Burn” by Craig Davidson. Here’s what Vanderhill had to say, as an aside, about my recent work in TCR:

I’m tempted to write a recommendation for “The Current State of the Universe,” winner of the Robert and Adele Schiff Award in Prose (in the latest issue of CR). This romping story by Theodore Wheeler follows one employee of a company called Make Things Right, Inc., a sort of karmic revenge business. […] a story with passages like this—along with such a provocative concept—can easily sell itself. It provides a direct, satisfying approach to “fixing” the world’s ills, albeit on a small scale.

“The Current State of the Universe” appeared in the Summer 2011 issue of The Cincinnati Review.

-I wrote a long post on this blog about Sherwood Anderson’s connection to the real Winesburg, Ohio–and how a similarly uncomfortable thing happened with my won writing of a fictional small town that turned out to have the same name as a real small town.

-And, finally, let’s not forget that October began with an awesome crossover blogger event, as Adam Peterson and I wrapped up the Royals 2011 season and, mainly, looked ahead to 2012.

Dispatch from “These Things That Save Us”

“Walking the dog allowed me a kind of privacy, which is also why I enjoyed traveling so much. I yearned for the bustling lonesomeness of airport white noise, the freedom to be secluded in public—to appear deeply pensive without someone asking, ‘Whatcha thinking?’ This is also why I liked to walk, to indulge in the secret adventures of a man and his dog, cruising down the sidewalk with nothing in particular owed to anyone. Just a man and his dachshund. We were free to look in our neighbors’ windows from the sidewalk, their domestic projections lit up incandescent. We could kick and sniff at garbage left at the curb. A man walking his dog has a right to be there.”

Personal Rejection Notes, Requests for More, and Other Nice Versions of No Thanks

Paris Review and Conjunctions for “Forget Me,” and Agni for “Shame Cycle.”

Now Reading

Shadow Traffic by Richard Burgin.

Best American Comics 2011, edited by Alison Bechdel.

Sin in the Second City by Karen Abbott.

Up Next

The Marbled Swarm by Dennis Cooper.

The Kenyon Review Online resources (and others)

I’ve been enjoying the Kenyon Review blog this summer–specifically their series of Micro-Interviews and the audio archives from their 2011 Writers Workshop program. It’s pretty cool to watch how these things take shape. The most famous archive of writer interviews is, of course, the Paris Review‘s, which is like a master’s program in literature and writing by itself.

It’s interesting how the rise of MFA writing programs in the last decade happened at the same time that so many new resources (or not so new, just newly electronic) for writers have popped up online. Of course, it isn’t like a writer has ever had to go to grad school in order to meet other writers, or read great books, or write every day, or find great advice and resources, etc. Grad school programs provide an organization of these activities, for a price; and in a somewhat similar way, great literary blogs and archives provide a similarly useful naming and sorting of resources for those who join their community.

Anyway–here are some links of things I’ve enjoyed these past few months:

Kenyon Review Blog

TKR Micro Interview with Ron Carlson

Audio of readings and seminars from the 2011 Kenyon Review Writers Workshop

TKR Micro Interview with Seth Fried

The Paris Review Interviews

The Paris Review Daily– their blog

HTML Giant – the new official home to heated literary debate and hipster declarations

The Outlet – the blog of Electric Literature and NYC literary social scene

Key West Literary Seminar Audio Archives