There isn’t a whole lot more to add to the writing processes I used and the experiences I had during my residency—as I more or less kept on track with my writing during the final days as I had in the beginning, and ate at the same restaurants—so I’d like to give a short overview of my residency. In all, my approximate volume for the ten and a half days I spent at Kimmel Harding Nelson came in at 24,637 words, which adds up to about 84 pages double-spaced.
This is nearly twice the amount of work I expected to finish while in Nebraska City—the safe estimate I gave myself heading in—so it feels pretty awesome to produce this much work. The rough draft of Part II of my novel-in-progress The Hyphenates of Jackson County is nearly finished, which means that I’m over half done with the entire novel itself. In addition, I rewrote five scenes from Part I in first-person point of view in order to tie them more closely to my main character and polished off three blog posts for good measure.
It was a little difficult to work at a high level the final day, with the end in sight. It wasn’t exactly homesickness at this point, but more of a growing excitement to see my family again. So instead of sticking around for the final half day, I ended up driving back on Thursday night and sleeping in my own bed. Good for me, right?
As a final word, I’d like to mention that the next deadline for Artist Residencies at the Kimmel Harding Nelson Center for the Arts is September 1, which is for residencies taking place in the January to June, 2011 period. KHN offers great facilities in a quiet setting, a stipend for expenses, and now even cab fare from the Omaha airport. I highly recommend it!
This represented about the half-way point of the residency at the close of day six. I was able to get close to forty pages of new writing done, which is really pretty amazing for me. I came in a little skeptical of the residency idea. It didn’t make sense that I’d get a ton more work done in two weeks here than I could over a normal period at home. But it really turned out to be an amazing experience. Typically I’ll write between 500-1500 words in a day. But I consistency quadrupled that at Kimmel Harding Nelson.
I talked a bit about the reasons why I think this is in the previous post, but I want to hone in on that a little more here. The biggest difference, I believe, is simply the matter of time and space to work in. These are the factors mentioned on the brochures for these places, but it wasn’t really something I could understand until I was there. There are usually a few times during each day when I feel like writing, and they don’t come at the same time each day. At home, on a normal schedule, I can’t just drop everything and write. It’s a schedule—one that thankfully allows me regular time to work in the first place. And I’m very lucky to have that. But at KHN I could work whenever I felt like it. On Thursday morning I was more productive in the morning. On Friday I was more productive at night and was able to stay up late to work. I guess the difference never seemed like that much to me. Finding an extra hour in the morning, or an hour late at night. But if you have the space and the energy to work at a high level for that hour, you’re adding a four-page work period into the day. Sometimes two. And that really adds up, even over five days. If I could keep this pace up, I might have been able to finish drafting on Hyphenates Part 2, which would have put me way ahead of schedule.
Still, I did take most of Saturday off, as Nicole and Maddie came down to Nebraska City to visit. We played around the apartment a little, as Maddie and my roommate Matt really hit it off, then got lunch at the Arbor Day Lodge. We went back to Omaha for a while after that, even though Maddie really wanted to stay at “Art House.” She and I went to the store and made dinner so Nicole could have nap time. It was nice to see the family again, something I’d been looking forward to from the moment they’d dropped me off.
It’s always such a strange balance to strike between giving yourself enough room to work (time and space, mental space) and keeping the people who are the reason you’re working so hard close by. The balance any working person tries to find, I suppose, particularly working parents. I think back sometimes to my life before Maddie was born, when I had hours and hours of free time each day. It’s easy to become nostalgic for those times—freedom, nights out, artsy-ness. But the fact is that most of that free time was wasted. There were video games then too, and binge drinking and hangovers. The balance was out of whack.
One of the great old homes of Nebraska City.
It wasn’t until Nicole was pregnant that a change came over me, a biological switch was flipped that made it easier to focus—in fact, it made it uncomfortable to not be working because there were people who depended on me.
I think this was a big part of the residency too, and a major reason why I think it was a big success for me. It’s not that the writing was easier to do when I was at KHN, but there was an imperative to do it. There were people at home missing me, counting on me to do well. And I wasn’t going to let them down.
I recently was granted an artist’s residency at the Kimmel Harding Nelson Center for the Arts in Nebraska City, from March 15-26, and I’ll be blogging about my experiences there over the next couple weeks. It’s a little awkward to be doing this in the past tense, I’d originally planned on doing a daily journal while I was there, but it seemed like a bad idea to announce on the Internet that I was away from home. It was hard enough to leave Nicole and Maddie home alone during the start of the spring gang wars.
Anyway, here’s the first installment:
Nicole and Maddie drove me down on Monday morning and dropped me off at the center. We met the residency directors, Pat and Denise (her last day, sadly) and were given a tour of the facilities. The center was built in 1969 by the Nelson family as a luxury retirement residence for them and a few of their friends, and then was turned into the KHNCFTA in 1999 after Mrs. Nelson died. So there was a main apartment, which is now office space and an art gallery, and two attached apartments that each house two residents. There’s also a caretaker’s apartment in the basement for a fifth resident. The three garages have been converted into studio space, and there’s a great courtyard in the center of the complex. It’s really wonderful. Almost everything here appears to be original, the wallpaper, the fixtures, the appliances. My roommate (photographer Matthew Jensen) tells me that this style is all the rage now in New York.
It was very hard when Nicole and Maddie drove away, but I’ve been able to talk to them throughout each day. Maddie’s phone skills are improving dramatically and she’s learning so many new words now. Like, “Salt and pecker.” It’s hard to miss that. I had to focus myself and make the most of my time. Even on the first afternoon I was able to write for a few hours, which really set a nice tone for the two-weeks.
Still, a lot of the first few days were spent just kind of figuring out what to do while I’m here. Of course I’d made plans beforehand, and I stuck to them mostly, but it was almost off-putting to have so much time. There was time to sleep in, time to stay up late and work, time to nap, time to eat when it was necessary. It allowed me to get wrapped up in the novel completely. I think generally I do kind of live through whatever I’m working on, half asleep to the world. I carry it with me, thinking about it throughout the day, whether I’m walking into the courthouse, going through security, or taking care of Maddie in the morning. It’s a preoccupation that allows me to work every day—because at least half of my mind is on the project at all times in order to stay within it. But the process of engagement was so much more complete at KHN. There was no metal detector alarm to break me out, no NW Radial traffic to vie for my preoccupation space. For the most part, during the first few days, I wasn’t working a ton more hours than I usually would during the course of a day—jumping from 2-3 to 4-6, maybe more than that. Anyway, the big difference was having time to think about things.
On Day 2, the writing wasn’t happening, so I took a two hour walk over to the Arbor Day Lodge and back. It wasn’t like I had a big breakthrough or anything, but such trips helped clear an awful lot of mental space. I came back and had lunch, laid down for an hour, read for an hour, and then was able to be very productive for three hours. Usually, I’d have the three hours to be productive in, and if it didn’t happen, the day was a waste.That wasn’t the case at KHN. It was about finding the right time of day to work in, the right mental space, the right location—and actually having the freedom to occupy that space and produce. This was the main benefit of the residency. I wrote about twenty new pages in the first three days, which is a little more than a good week’s worth—and a banner week at that.
I think the writing is solid, there’s some nice description, a few images that have really announced themselves, more than a few leaders emerging that will help determine the plot. This was Part II of Hyphenates I was working on, and I chose to go in without any kind of guiding outline, basically just knowing a specific place I need it to end—the day after the municipal election in 1918—with seven pages of notes to guide me. There seemed to be a lack of conflict for a while, but it started to emerge during this time. I wrote about half of Part II and also had the second half plotted, which is kind of a week’s worth of work in itself.