Tom Dennison Exhibit & River City Empire

Nicole and I were in Portland last week–so I missed this–but a friend of the blog let me know about a couple recent Tom Dennison news items. First, a new permanent exhibit opened last week at the Roman L. Hruska Federal Courthouse in downtown Omaha that relates the intrigue surrounding the 1932 trial of Tom Dennison, and fifty-eight other members of his syndicate, for alleged Prohibition violations. The exhibit touts this landmark trial as it “brought national attention to the methods used by criminal syndicates of that era to promote bootlegging, gambling, prostitution, money-laundering, extortion, election fraud, jury-rigging, bribery, and political corruption.”

ORDER KINGS OF BROKEN THINGS, A NEW NOVEL ABOUT DENNISON-ERA OMAHA!

Although Tom Dennison was indicted and tried over the course of two months, the trial ended in a hung jury, and  Dennison would never be convicted. Still, this pretty much spelled the end of the Dennison machine. Tom suffered a stroke in early in 1932, and the damage from this was said to show visibly throughout the trial. Later in the year he came down with pneumonia, would be divorced from his teenage bride, and within two years of the trial’s end would be dead. Despite a few attempts to find an heir-apparent Dennison was never able to establish a line of succession and the machine fell apart once he wasn’t there to keep it running.

Pretty interesting stuff. KETV seems to have the story of record here about the exhibit.

Also of note is that Orville D. Menard has a new book coming out in early November from Bison Books. Menard’s Political Bossism in Mid-America, essentially a biography of Tom Dennison that was first published in 1989, is the go-to authority on all matters Dennison. His new book, River City Empire, appears to be a reissue of his previous work, particularly since the page counts only differ by ten, and a foreword has been added. In any event, Menard has mentioned in talks before that he’s still been working on the material since his first came out, so I’m interested to check out the new book. More than anything it’s great to see renewed interest in this fascinating figure of Omaha history–one who just happens to be a main character in my novel!

“River Ward, 1917” Published in Boulevard

My contributor copy of the Fall 2013 edition of Boulevard arrived in the mail today, making it official that “River Ward, 1917” (the first excerpted piece from my novel-in-progress) has appeared in print!

Here’s the breakdown from when the story was accepted for publication back in March, with more background on the story. As noted, this is the fourth time my work has been in Boulevard. Special thanks to Editor Richard Burgin and the staff at Boulevard, as always.

This issue also features work from Joyce Carol Oates, Albert Goldbarth, Gerald Stern, and many others. You can subscribe here, fyi.

Here’s a sample of “River Ward, 1917”:

There were tents and lean-tos three deep along the muddy banks of the Missouri River, from the southern tip of the mills under the Douglas Street Bridge to the northern edge of Jobbers Canyon. A bawdy heat radiated from the flats, from open fires and juiced up men, from rosy-cheeked women who circulated the crowd, from the kids with trays tethered over their shoulders who sold tobacco and a drink advertised as mulberry wine, from the mud itself, from the burning solder soot that pumped out mill chimneys and rose above the industrial dusk of the valley. The odor was overwhelming. Jacob didn’t understand how a river so big, that moved so fast, could smell so bad. Most men smoked constantly to mask the stench with cheap tobacco. Others were too drunk to notice. They dipped forward on shaky legs and relieved themselves where they stood. Some were in socks after their shoes were sucked off in the mud. They slopped happily to an open tent flap and peeked in at the occupant. If a man liked who was inside, he entered and the flap fell closed behind him. Every so often there was an enforcer astride a horse with a loaded shotgun broke across his chest. Scuffles erupted constantly in the muck. The enforcers set things straight.

Kafka on the Gov’t Shutdown

Das Schloß.

As part of my making acquaintance with the German-language canon, this week I’ve been reading Franz Kafka’s The Castle. And while my choice of novels isn’t directly in response to the on-going federal government shutdown, Kafka does provide a pretty cathartic read given the recent sanctification of bureaucratic dithering. One brief line in particular (bolded below) from The Castle stuck out this morning that I’d like to share, along with a longer contextual set up.

‘This letter is in no sense an official communication, but only a private letter. That can be clearly seen in the very of address: ‘My dear Sir.’ Moreover, there isn’t a single word in it showing that you’ve been taken on as Land-Surveyor; on the contrary, it’s all about state service in general, and even that is not absolutely guaranteed, as you know; that is, the task of proving that you are taken on is laid on you. Finally, you are officially and expressly referred to me, the Mayor, as your immediate superior, for more detailed information, which, indeed, has in great part been given already. To anyone who knows how to read official communications, and consequently knows still better how to read unofficial letters, all this is only too clear. That you, a stranger, don’t know it doesn’t surprise me. In general the letter means nothing more than that Klamm intends to take a personal interest in you if you should be taken into the state service.’

‘Mr. Mayor,’ said K., ‘you interpret the letter so well that nothing remains of it but a signature on a blank sheet of paper.’

A great line, isn’t it?

A/V Club: More from die Akademie

Here are a couple more YouTube videos I found that relate to Akademie Schloss Solitude. I’m not sure how interesting these are to anyone else, but it’s my blog, so, yeah. Enjoy!

Der Solitudebolero oder Raskolnikowbesessenheit, a short film by Bulgarian director Javor Gardev that was filmed at and produced by Akademie Schloss Solitude in 1998. I can’t translate the dialogue for you, but I can only assume the film depicts the everyday life of fellows at the venerable Stuttgart institution.

Being that the Stuttgart-area is known for its automotive manufacturing and is regarded as the “Cradle of the Automobile” (see Gottlieb Daimler) it isn’t too surprising that Schloss Solitude doesn’t limit itself to just architectural and artistic wonders, but is also the site of Solitude Racetrack. There hasn’t been much racing activity there since the 1950s, I guess. Although there appears to be an annual race, Solitude Revival, with late-model cars. Of all the benefits and opportunities my fellowship to Akademie Schloss Solitude will grant me, this is probably the first that will truly make my brother jealous.