I’m a little slow on the uptake here, but I should note that New Stories from the Midwest 2012 (aka Best of the Midwest) has been released from Indiana University Press and is ready for your consumption. While none of my work is included in this fine anthology, “The Approximate End of the World” (published by Boulevard of all places) is included as one of “Thirty Other Distinguished Stories.” Never let it be said that I wasn’t distinguished in defeat.
The anthology does include work from such luminaries as Dan Chaon, Charles Baxter, Anthony Doerr, Lee Martin, Christine Sneed, and Mark Wisniewski, among other great writers, and was guest edited by John McNally. According to the jacket copy, “The stories, written by Midwestern writers or focusing on the Midwest, demonstrate that the quality of fiction from and about the heart of the country rivals that of any other region.” Damn right!
Be sure to check it out if you’re interested. Jason Lee Brown and Shanie Latham do a great job putting this together, and it’s surely something Midwestern writers in particular should support.
I suppose it is spring now, technically. Although Nebraska has been in its meteorological spring for a few weeks already and that hasn’t seemed to make much of a difference in the weather. Things have been pretty slow on this space for some time, and while the weather has nothing to do with that, we’ll have to do better. The main reason for this lag is that in January/February/March we sold our old house, bought a new one and moved. Pretty heady stuff for a couple with two little kids who usually have their heads buried in computers something like twelve hours a day anyway. It wasn’t so bad though. We moved from the Benson neighborhood of midtown Omaha all the way over to the Dundee neighborhood of midtown Omaha. A little over three miles. It’s been nice. The schools are better, no small concern with Maddie off to kindergarten in the fall, the sidewalks more plentiful. We traded in the Pizza Shoppe and Baxters for La Casa and Pitch, Jake’s for the Dell, Krug Park for Pageturners, dog fights for dog walkers, Benson Days for Dundee Days. It’s a whole new world. Also, the new house is quite a bit bigger, so my office is no longer a toyroom/office. That’s pretty big news in itself. Also, there’s a cemetery a block down from us, with an obstructed view of headstones from my desk, and Maddie is convinced that Jesus is buried there. We may be in for a dicey Easter this year.
Meanwhile things have been plugging along on the agent front. Nothing to really report yet, but there’s been pretty steady interest, a couple exclusives to bigger agencies, a few nibbles here and there. I always take things pretty slow, so it shouldn’t be a surprise that this process will have to run its full course.
While that’s been going on I’ve been rewriting the novel from the point of views of some side characters, mostly out of curiosity and to keep occupied. I suppose, if no one is interested in the book as written, the process could take long enough for me to rewrite the whole novel in a way that’s more than an academic exercise. Not a bad contingency plan, I guess.
In other news:
-As announced yesterday, an excerpt from The Uninitiated (“River Ward, 1917”) was selected for publication byBoulevard. Also, I failed to mention that Boulevard nominated my story “On a Train from the Place Called Valentine” for a Pushcart Prize. The story was first printed in their Spring 2012 issue. This is a great honor and one I’m pleased to have received. Boulevard rules, by the way. Subscribe to them.
-The big news of the season was that my novel The Uninitiated won Tarcher/Penguin’s Top Artist Writing Contest. Read breakdowns here and here.
-My story “The Mercy Killing of Harry Kleinhardt” was published by Midwestern Gothic in their Winter issue. (Kindle editions of the issue are currently on sale for $1, and print for $6.) I was also interviewed by MG as part of their Contributor Spotlight series. Check out the interview here.
-This weekend we’ll celebrate Clara’s first birthday. She’s been such a healthy and happy baby that it’s almost hard to remember spending her first week in the NICU, huddled around watching her O2 levels on the monitor, and how joyful it was when she came home. Happy birthday, baby!
Dispatch from The Uninitiated
Miihlstein started right away when they arrived in Omaha. In fact, there was work waiting for him in the attic, what the dead man had been toiling over when he died. Miihlstein looked taller than he really was. He was lanky, with long arms, and this made him appear tall. He preferred striped neckties held flat by a now rusty tin pin he’d made himself. He was a happy man, if distant. He was in his workshop most of the day, singing to himself or playing the violin he was working on. He had a thin mustache that was often stained by coffee and what he’d had for lunch. He hummed as he measured string and reinforced the wooden necks of the violas he was charged with reviving. He squeezed the wood with his hands to put it under stress, to find the reason it didn’t sound right anymore. Karel watched his father’s performance daily, called over, at times, if his father remembered him, to see it in detail. A red felt carpet rolled out over the worktable. Even if it was a small job, a restringing, Karel’s father pulled out all the tools in his kit. Slowly he examined them, lost in the smell of that toolkit when it was opened. Little cans of lacquer and thinner placed on the felt. Tools pulled from their nooks and leather slots. Waffled metal files, awls and emery cloth, spools of white string, spare pegs, clamps, chisels, a skinny little metal hammer. Soon wood shavings popped from the block plane as he revealed new fingerboard, then sanded it round. Notches were filed and awled for the strings. It was painted an ebullient, shiny black, endless and distinguished. Herr Miihlstein’s wire-framed glasses rode down his nose on a bead of sweat. He bit his upper lip, sucking the prickles of his mustache into his mouth to concentrate.
To Karel, it shouldn’t take so long to restring an instrument. But his father could remain occupied with a single instrument for a day or more, stretching and tuning, and playing, humming along as he plucked and bowed. Until: “Perfection!”
Karel and Anna waited for this moment: they could help with a delivery and get out of the attic. Otherwise they occupied themselves with some docile and melancholy game as Miihlstein worked. Their games often involved the war. One of Karel’s favorites was to play army surgeon with Anna’s ragdoll. She allowed this. There was great commotion in Karel’s mind as the doll was rushed from an open battlefield, the middle of a circular woven rug strewn with sock garters and newspaper crumpled into balls, and under the great bed where all four Miihlstein kids slept. Once under the bed the real fun began, their legs stuck out opposite sides. Anna was adept at enumerating injuries. She described to Karel what resulted in the field, a simple shrapnel wound in the arm that luckily avoided bone. But then. Then the ambulance was hit by mortar fire. It overturned on the road, the poor souls inside tossed over each other, compounding their maladies. Broken bones now too, fractures, splinters of glass in the wounds. A gash on the head. The driver died instantly, tragically, for he was greatly loved by his family. By the time a second ambulance had come, the poor soul that ragdoll had become was in real trouble. Anna had a nicely dark mind for these details she savored. Karel pinned the doll to the floorboards with his hands as she explained what needed to be done, an amputation. The doll’s dress was lifted to reveal the yellow cloth of its skin.
As Anna finished her treasury, Karel began. Quickly he worked, sawing with the edge of his index finger, and tucking, as if Anna wouldn’t notice, the doll’s arm into the dress. The doll’s dress was back in place, the sleeve folded up. If the poor soul was saved, he’d be pulled out from the operating theater under the bed and slid under the blankets atop the bed. “You’re in luck,” the poor soul would be told. Nothing but orange juice and nurses for a year. If the poor soul couldn’t be saved, Karel and Anna might enclose the ragdoll in a white paperboard box, take it out back of the Eigler house and bury it in the dirt. Then, into the kitchen to find some lunch.
East of Eden by John Steinbeck. A little disappointed (and intrigued) that James Dean’s “Say hello to your mother!” line is only in the Elia Kazan film version. A classic for good reason, nonetheless. The long tracts on the creation of the Salinas Valley and its early settlers are pretty fascinating to a guy like me, along with the more familiar sections filled with high drama and teenage angst.
The Face of a Naked Lady by Michael Rips. Part family history, part treasury of modern Omaha folk lore, Rips presents a pretty compelling story about growing up in Omaha amid racial strife, organized crime, and suburban flight while his mysterious father rose to prominence and then lost his mind. Also, it’s also an interesting treatise on the philosophical and psychological development of the American suburb as emotional landscape for those who couldn’t cope with the city. Very interesting.
The Slippage by Ben Greenman. I haven’t been doing many book reviews lately, but I made sure to secure an advanced copy of Greenman’s latest, which comes out late April.
I’m excited to share that, this week, my fiction was again chosen to appear in a future edition of Boulevard! Amazingly, this will be my fourth story in Boulevard, which has really become a great home to my work these past few years. (The breakdown of each story is below if you’re interested.)
Here’s the opening of “River Ward, 1917”, which may be familiar to some of you:
It used to be a common thing for a young man to light off secretly in the night, searching for a life different from the one he toiled through at home. Jacob Bressler became an exile in this way. He left under starlight and led his horse over the brawny shoals of what would be his brother’s farm from then on. He didn’t bother with a saddle but merely slid a bridle over the nag’s muzzle and walked into the buggy paths of the river valley. In the dark he found the graveled highway that led to Omaha. There was no need to rush. His brother wouldn’t follow him.
What’s most pleasing about this pub is that “River Ward, 1917” is excerpted from my novel, The Uninitiated, and marks the first time any of this writing will see print. It’s a landmark, of sorts, for me. Four years have past since I began work on the novel. From it’s early shape as The Open City to the early days of The Hyphenates of Jackson County to its current form as The Uninitiated, it has taken a lot of work to get here.
So it’s exciting to get some of the book out there. To have the piece run in Boulevard means even more. Boulevard was my first major publication, running “Welcome Home” in the spring 2008, really launching an encouraging string of success with the short form that saw the story reprinted in Best New American Voices and recognized in a Pushcart Prize anthology. I can only hope that “River Ward, 1917” appearing in Boulevard in the fall of 2013 holds similar portent for my long form work. Regardless, cheers! This one feels good.
Special thanks goes out to Amber Mulholland, Travis Theiszen, Country Club Bill, Mary Helen Stefaniak and any others who helped this particular section through its early phases. And to the Lee Martin workshop at last June’s Nebraska Summer Writers Conference, who gave significant feedback and support in its latest phase. And to Richard Burgin and the editors at Boulevard too, of course. Thanks!
TW stories in Boulevard: “Welcome Home” in Spring 2008, “The Approximate End of the World” in Spring 2010, “On a Train from the Place Called Valentine” in Spring 2012, “River Ward, 1917” is forthcoming.