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The Spring issue of Prairie Schooner has been released, which means my review of David Philip Mullins’ Greetings from Below is out too!
I love this cover.
This marks my third review in Prairie Schooner, and my tenth overall. Reviews of Lydia Peelle‘s Reasons for and Advantages of Breathing and Nadifa Mohamed‘s Black Mamba Boy previously ran in PS.
Excellent books all.

January brought plenty of rewrites on the novel; "The Housekeeper" was published on now-defunct Flatmancrooked; my collection How to Die Young in Nebraska, was once again a semi-finalist for the Iowa Short Fiction Award.

February meant attending the AWP conference in Washington DC, and visiting the National Christmas Tree just weeks before it was blown over; my review of Marcy Dermansky's novel Bad Marie was published on The Millions; and we celebrated Valentine's Day with a heart-shaped black forest cake from Zum Biergarten.

In March, "How to Die Young in a Nebraska WInter" was published in The Kenyon Review; I also gave an interview for Kenyon Review Online; did a longer piece on the role of trickster characters in fiction; and "The First Night of My Down-and-Out Sex Life" was accepted for publication in Confrontation.

April was something of a slow month, but it did include a postmortem on Flatmancrooked, and a longer piece on Ellen Horan's historical novel 31 Bond Street and the culture of big advances for unpublished authors.

Nicole and I celebrated our fifth anniversary in May with a trip to San Francisco; "The Current State of the Universe" was published in The Cincinnati Review; my review of David Philip Mullins' Greetings from Below was accepted for publication in Prairie Schooner; I wrote a longish post on the case of Willie McGee and lynchings.

In June, Mixer published "The Housekeeper" on Amazon; my review of Nadifa Mohamed's Black Mamba Boy was published in Prairie Schooner; and my review of Richard Burgin's novel Rivers Last Longer ran in the Pleiades Book Review.

July suddenly took us to Tel Aviv; "On a Train from the Place Called Valentine" was accepted for publication in Boulevard; my review of Suzanne Rivecca's Death is Not an Option ran on The Millions; and we went to the Syracuse dachshund races.

August brought me to the completion of a rough draft of my novel. I also wrote a longer blog piece on what it's like to write about lynchings and other bad things.

September saw "These Things That Save Us" accepted for publication in Conversations Across Borders; I was awarded a partial scholarship to attend the 2012 Key West Literary Seminar and Workshops; and I unveiled my own ranking of MFA programs to little fanfare.

In October, "These Things That Save Us" was published in Conversations Across Borders; my review of Rahul Mehta's Quarantine ran on The Iowa Review Online; and I did a longish piece on the real Winesburg, Ohio and how Sherwood Anderson's experience connected to my own writing of a suddenly not ficitional Jackson, Nebraska.
Just in case you missed it, here’s what happened on here in September:
-I took a few weeks off from working on the novel–using the time to clean up a few new short stories for submission–but am now reading and editing my first complete draft. It’s a lot of fun to read so far, seeing how things come together, and where they don’t.
-The Uninitiated released its comprehensive and authoritative rankings of MFA and PhD programs in creative writing. The University of Texas at Austin took the top spot.
-My review of Rahul Mehta’s Quarantine was accepted for publication by The Iowa Review Online, and will appear shortly in the month of October.
-My review of David Philip Mullins’ Greetings from Below—previously accepted for publication by Prairie Schooner—has been scheduled to run in the Spring 2012.
Dispatch from The Hyphenates of Jackson County
“The noise was so frightening that Jacob couldn’t stand still. He had to move his feet, around in the crowd, or he felt like someone was going to take a shot at him. A block over there was a nervous cop who sprayed shotgun fire into the air whenever someone approached the car he guarded. The cascading noise of tumbling glass was punctuated by the fraught screams of woman in jeopardy. Or maybe that wasn’t it at all, what Jacob thought he heard. Maybe that was the sound of a woman’s prurient cheer as government windows were smashed to shards. There was the roar of voices, people fighting and being hurt. The flash of small arms erupting. The police sirens, their barking orders. The steam valve had been blown clean off and Jacob couldn’t stay where he was. He had to run into it, into the noise and fighting. He had to see everything, to document it in his mind. Speeding cars rushed into the crowds. Young men jumped on the sideboards of cars to swing around to where the action was. There were cars with Sicilians, Lithuanians, Greeks, Serbians. Once word of the melee spread, anyone who wanted to take a swing at a cop made a bee-line to Scandal Flats. A gang hijacked a streetcar and plowed into the mess, clanging the bell to announce their audacity. Teenage boys and musky husbands rushed out of houses with whatever hammer or club or bat they could lay hands on, and then hopped in a taxi to get there fast. A mechanical rumble filled the atmosphere. Roadsters and jalopies, homemade in Little Italy garages, swung recklessly around the blocks. They swerved to miss people and each other. Jacob couldn’t always see the cars but he could hear their pop-pop motors hammering at full throttle a block away, spreading echoes between buildings, echoes that bounced back from the high-rises of downtown. Trucks, commissioned or otherwise, hopped hot over the pavement to load up with furniture or produce or women’s clothes. Taxis slumped cockeyed and labored up the hills, packed full inside, passengers on the footboards.
“People shouted out to groups of strangers any news they heard. There was lots of talk in the mob about the smutty details of the rape—conjecture about Will Brown’s body in relation to the girl’s. They made him out to be huge, a towering man, arms like a gorilla’s, legs like a mule’s. They talked about Agnes Loebeck as if she was a little girl, pious and pure, like she only ever wore little white Sunday dresses, like she picked berries in a pristine field, like she’d never even heard of anything like a dick before.”
Personal Rejection Notes, Requests for More, and Other Nice Versions of No Thanks
Bomb for “Shame Cycle.”
Just Finished
Atmospheric Disturbances by Rivka Galchen. Eh.
My Antonia by Willa Cather. I really enjoyed this
book, and can see why it’s often noted as Cather’s finest. I was surprised at how Modernist this novel is, it’s really quite innovative, as I’d always thought it was more of a Victorian, continental-style book for young women than anything. I stand corrected. A masterful work.
Also, if you haven’t heard this NPR piece by Bradford Morrow on My Antonia, you should really check it out. Here’s part of what Morrow has to say:
What’s interesting about My Antonia is how it manages to function as a perfectly inviting story for young readers, and how an adult willing to revisit it with a more developed critical eye can appreciate it for the subtly sophisticated narrative it truly is. In this regard, it’s not unlike a wildly different book, Alice in Wonderland. Great fun for kids, psychologically captivating for grownups.
Now Reading
Shadow Traffic by Richard Burgin.
Up Next
Bohemian Girl by Terese Svoboda.
An update today too, and some good news, as my review of David Philip Mullins’ short story collection Greetings from Below has been scheduled to run in the Spring 2012 edition of Prairie Schooner. The review had previously been accepted, but had not been scheduled yet.
Some news to report today, as Prairie Schooner accepted for publication my review of David Philip Mullins’ debut short story collection, Greetings from Below. The collection comes from Sarabande Books, and was selected by the fabulous David Means as winner of the 2009 Mary McCarthy Prize in Short Fiction. It’s really a pretty good book, by an Omaha writer–he’s ours now, anyway–and I urge you to check it out.
Unless things move quicker than normal, the review should appear in an issue early next year. This is my eighth review selected for publication, the third that will appear in Prairie Schooner.









